On Olivier Messiaen’s Astonishing Chords

“It is…the denial of forward-moving time that is the generative and fundamental substance of Messiaen’s music: the matter of his verbal commentaries is no more than an explanation of the music…and conducted in terms other than those of the music.”
– Paul Griffiths, Olivier Messiaen and the Music of Time (1985, p. 17)

 

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