Thomas Brett
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Composing and Scarcity
Does composing music happen at a precise moment? Is it when you have a concept for a piece? When a looping rhythm comes alive? When you alight on a chord progression that does something new? When a technology generates a beautiful error? When an improvisation opens up a world? Or when an orchestration of parts Continue reading
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Database: Tim Oliver On Listening, Scaling To Intention, And Making Sure Something Is Always Leading Your Ear
“It’s listening. It’s a bit being able to zoom in and zoom out in perspective. That’s a good practice. I think if I were still alive ten years from now, or if I can still hear then, that if I listened back to a mix I’m doing now, I’d probably think the same negative things Continue reading
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Resonant Thoughts: Nadia Asparouhova’s “Antimemetics: Why Some Ideas Resist Spreading” (2025)
“Creative self-expression is the only way we will continue to make our mark as humans in times of uncertainty, and it doesn’t come from doing what you think will sell to other people “(21). “Antimemetics are a shadow city built on thoughts, knowledge, and practices that do not spread easily, despite their importance to our Continue reading
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Resonant Thoughts: Paul Graham On The Rhythm Of Writing
“When writing sounds good, it’s mostly because it has good rhythm. But the rhythm of good writing is not the rhythm of music, or the meter of verse. It’s not so regular. If it were, it wouldn’t be good, because the rhythm of good writing has to match the ideas in it, and ideas have Continue reading
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Resonant Thoughts: Jordan Mechner’s “The Making of Prince of Persia” (2011)
“I’m having trouble preserving that fluidity and realism when I clean it up and stylize the figures” (33). “The unlimited potential has been replaced by the concretereality of what I programmed today” (103). “Level design is a creative process, like screenwriting: you can’t just sit down and put in ten hours at a stretch, you Continue reading
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