Thomas Brett
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Gesture Lessons
(Dioskourides of Samos, 1st century BC) “In cuisine, in music, in sculpture, in painting, it’s everything. Either we like the gesture, either we like the hand, or we don’t. Me, I love it. It might be the sense I like the most. Maybe even more than the sense of taste. And this hand…if we want… Continue reading
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Resonant Thoughts: Dennis Yi Tenen’s “Literary Theory for Robots: How Computers Learned to Write” (2024)
“The hand carries the load of value through lived experience. And experience cannot be automated.” “Few artists like to admit to painting by the numbers. Nobody wants to seem ordinary. The occasional visibility of artifice—portable, explainable, documented, transferable, automated—therefore tends to startle or repulse audiences acculturated into the privilege of exceptional human genius.” “The hypothesis… Continue reading
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Keywords: Soundset
Your soundset is a bespoke palette of sounds, toolkit of filigreed production possibilities, collection of go-to enchanting instruments and timbres, and repertoire of effects and signal processing ways, balanced just so. Having a soundset solves the problems of what template to use and how to begin, freeing your attention from which sounds to what shall… Continue reading
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Running As Flow Practice
“The run is white noise, a way to simply experience time as a body, a piston, that exists away from the mind and only in the body as a live reactive presence.” Matthew Futterman, Running to the Edge (2019) At home I move fast and bump into things. Shins knock the couch, flying elbows glance… Continue reading
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Database: Jacob Collier On Even Though There’s Just Two Speakers There’s Always space
“[Mixing] is a constant prioritization about what should be in the background, what should be in the foreground, how do you carve a satisfying set of journeys where everything goes on a little path and paths connect. I think it’s just a matter of listening very carefully to what’s there and not being afraid to… Continue reading
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