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brettworks

thinking through music


art about music

  • February 5, 2020

    Art About Music: John Singer Sargent’s “Capri Girl on a Rooftop” (1878)

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    art about music, Uncategorized
  • December 17, 2019

    Art About Music: Peter Doig’s “Music Of The Future” (2003-2007)

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  • December 3, 2019

    Art About Music: The Chimes of Zeng Hou Yi (c. 433 B.C)

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  • November 26, 2019

    Art About Music: Arki’s “Ascetics Making Music, Depicting the Musical Mode Kedara Raga” (late 17th century)

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  • November 19, 2019

    Art About Music: Jean-Baptiste-Camille Corot’s “Orpheus Leading Eurydice from the Underworld” (1861)

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  • November 13, 2019

    Art About Music: Gerard van Honthorst’s “The Concert” (1623)

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  • November 5, 2019

    Swami Haridasa with Tansen and Akbar at Vrindavana (1700-1760)

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    art about music, Indian music, Uncategorized
  • October 29, 2019

    Art About Music: Matthew Le Nain’s “Musicians” (1677)

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  • October 22, 2019

    Art About Music: Antoine Le Nain’s “Three Young Musicians” (c. 1630)

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  • October 15, 2019

    Art About Music: Osman Hamdi Bey’s “Two Musician Girls” (late 19th c.)

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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Cymbalscapes 5
  • Curating The Week: A History of Western Classical Music, Building AI Models, AI’s Effects on Cognition
  • Database: Clark on Zero Expectations and the Actual Idea
  • Fine-Tuning
  • Suspiramus

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