Skip to content
    • about
    • ai in music resources
    • archives
    • art about music
    • atelier
    • books
    • brett’s sound picks
    • database (a cache of perceptions)
    • film
    • interview
    • keywords
    • music
    • thought tools
    • ventrilo-dialogues

brettworks

thinking through music


art about music

  • April 15, 2020

    Art About Music: Jean Dubuffe’s “Jazz Band (Dirty Style Blues)” (1944)

    Continue reading

    art about music, Uncategorized
  • April 8, 2020

    Lucas van Leyden’s “The Musicians” (1524)

    Continue reading

    art about music
  • April 1, 2020

    Art About Music: Nainsukh of Guler’s “Trumpeters” (1735-1740)

    Continue reading

    art about music, Uncategorized
  • March 25, 2020

    Gino Severini’s “The Accordian Player” (1919)

    Continue reading

    art about music, Uncategorized
  • March 16, 2020

    Art About Music: Eventide’s “Omnipressor” (1974)

    Continue reading

    art about music, Uncategorized, vintage music technology
  • March 10, 2020

    Art About Music: Victor Eeckhout’s “The Musicians Of Tangiers” (1856–1879)

    Continue reading

    art about music, Uncategorized
  • March 3, 2020

    Art About Music: Steinberg’s Cubase “Key Edit Window” (1989)

    Continue reading

    art about music, Uncategorized
  • February 25, 2020

    Art About Music: Spotify’s Genre Categories (2020)

    Continue reading

    art about music, Uncategorized
  • February 20, 2020

    Art About Music: “Portrait Of A Musician Holding Bagpipes” (Netherlands, 1632)

    Continue reading

    art about music, Uncategorized
  • February 11, 2020

    Art About Music: Leopold August Abel’s “The Musicians At The Ducal Chapel Of Mecklenburg-Schwerin In 1770” (1770)

    Continue reading

    art about music, Uncategorized
«Previous Page Next Page»

Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Cymbalscapes 5
  • Curating The Week: A History of Western Classical Music, Building AI Models, AI’s Effects on Cognition
  • Database: Clark on Zero Expectations and the Actual Idea
  • Fine-Tuning
  • Suspiramus

Subscribe To Brettworks


©

brettworks

2022, All Rights Reserved.

Blog at WordPress.com.

Loading Comments...

You must be logged in to post a comment.

  • Subscribe Subscribed
    brettworks
    Join 780 other subscribers

    Have a WordPress.com account? Log in now.

  • brettworks
    View site in Reader
    Manage subscriptionsSign upLog in
    Report this content
    Collapse this bar