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brettworks

thinking through music


Brett’s Sound Picks

  • November 27, 2019

    Brett’s Sound Picks: Lanark Artefax’s “Ferthenheap” (2019)

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    Brett’s Sound Picks, Uncategorized
  • November 20, 2019

    Brett’s Sound Picks: Clark’s “Legacy Pet” (2019)

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    Brett’s Sound Picks, Uncategorized
  • November 14, 2019

    Brett’s Sound Picks: Kindohm’s “This Can’t Be It” (2019)

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    Brett’s Sound Picks, Uncategorized
  • November 6, 2019

    Brett’s Sound Picks: Skee Mask’s “Sphere In Total” (2019)

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    Brett’s Sound Picks, Uncategorized
  • October 30, 2019

    Brett’s Sound Picks: Hammock’s “Circular As Our Way” (2019)

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    Brett’s Sound Picks, Uncategorized
  • October 23, 2019

    Brett’s Sound Picks: Penguin Cafe’s “Adelie” (2019)

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    Brett’s Sound Picks, Uncategorized
  • October 16, 2019

    Brett’s Sound Picks: Russell Hartenberger’s “Prelude” (2019)

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  • October 9, 2019

    Brett’s Sound Picks” G. Jones’ “Everything All At Once” (2018)

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  • September 25, 2019

    Brett’s Sound Picks: Ekin Fil’s “On The Move” (2018)

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    Brett’s Sound Picks, Uncategorized
  • September 18, 2019

    Brett’s Sound Picks: Barker’s “Paradise Engineering” (2019)

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    Brett’s Sound Picks, Uncategorized
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Database: Laura Cannell On The Mechanics Of Acoustic Instruments, Improvising, And Simple Motifs
  • Omni 128 bpm
  • Brett’s Sound Picks: Laura Cannell’s “The Water Had Carried Her” (2026)
  • Curating The Week: AI and Human Touch, AI and Writing, AI and Taste
  • Marimbafied 35

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