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brettworks

thinking through music


musical pacing

  • May 26, 2025

    Brett’s Sound Picks: Beatrice Dillon’s “Basho” (2025)

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    Brett’s Sound Picks, musical pacing

Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Database: Christian Löffler on Working Quickly and Using Field Recordings
  • Curating the Week: The Additional Touch, Philip Glass’s Music, How to Write a Paper
  • Performance Practice: Lessons from Music for 18 Musicians
  • Resonant Thoughts: James Marriott’s “The New Dark Ages: The Death of Reading and the Dawn of the Post-Literate Society” (2026)
  • 5 October

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