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brettworks

thinking through music


piano music

  • March 17, 2025

    atelier: marimbafied 13

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    atelier, marimba, piano music
  • February 19, 2025

    Atelier: Piano Duo

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    atelier, piano music
  • September 6, 2024

    Two Pianos

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    piano music
  • August 6, 2024

    Two Pianos

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    piano music
  • June 4, 2024

    Piano (June)

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    piano music
  • November 17, 2023

    Piano Mediations

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    mediations, piano music
  • December 27, 2021

    Cadences 11

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    piano music, sketch
  • October 8, 2021

    Piano Last October

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    piano music
  • May 12, 2021

    Piano And Its Echo

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    echo and delay, piano music
  • May 4, 2021

    Memory Vector

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    memory, piano music, resonance, space, Uncategorized
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Resonant Thoughts: Vincenzo Latronico’s “Perfection” (2025)
  • Database: Claire M Singer on Writing By Improvising
  • Resonant Thoughts: Matthew H. Birkhold’s “Metronome” (2025)
  • Brett’s Sound Picks: Claire M Singer’s “Rionnag a Tuath” (2025)
  • Holding Out For Better

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