“Had we invented the phonograph and the radio, how much more faithfully they would reproduce the special character of our voices and our music. Japanese music is above all a music of reticence, of atmosphere. When recorded, or amplified by a loudspeaker, the greater part of its charm is lost. In conversation, too, we prefer… Continue reading

  “The father of the arrow is the thought: how do I expand my reach? Over this river? This lake? That mountain?” “Be winged arrows, aiming at fulfillment and goal, even though you will tire without having reached the mark.” Paul Klee, Pedagogical Sketchbook, p. 54. Continue reading

  The opposite of a good idea can also be a good idea. Don’t design for average. It doesn’t pay to be logical if everyone else is being logical. The nature of our attention affects the nature of our experience. A flower is simply a weed with an advertising budget.  The problem with logic is that it… Continue reading

“[David] Hockney valued painting because of the medium’s relationship to time. According to him, an image contained the amount of time that went into making it, so that when someone looked at one of his paintings, they began to inhabit the physical, bodily time of its being painted.” -Jenny Odell, How To Do Nothing (2019). Continue reading

“It is this matrix that our passions, our desires, are accumulated as data, the better to manipulate and manage them. We confess to the machine while we walk, offering little ambulatory prayers. In doing so, we become cyborg beings: an assemblage of organic and inorganic materials, bits of technology, flesh and teeth, pieces of media,… Continue reading

“If you really want to separate your work from everyone else’s, every time you come to a Y in the road, don’t think about which way to go; automatically take the toughest route. Everybody else is taking the easiest one.” – Richard Serra in Leonard Koren’s What Artists Do (2018)   Continue reading