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brettworks

thinking through music


  • June 3, 2021

    Chapter 1

    Continue reading

    book, electronic music production, epistemological journeys
  • June 2, 2021

    A Book

    If you have enjoyed reading the essays on brettworks over the past eleven years, you may be interested in my book The Creative Electronic Music Producer, which will be released on July 2, 2021. The book examines the creative processes of electronic music production, from idea discovery and perception to the power of improvising, rhythm programming,… Continue reading

    book, electronic music production
  • June 1, 2021

    The Creative Electronic Music Producer

    Continue reading

    Creativity, electronic music production
  • May 31, 2021

    Beckon (ft. Frederick Stubbs, Turkish ney)

    Continue reading

    ney
  • May 29, 2021

    Notes On Channel Surfing

    When music is selling signifying associating manipulating entertaining showing off distracting sentimentalizing playing the hitsbeing difficult oversimplifying soundtracking something else  change the station. Continue reading

    advertising, radio
  • May 27, 2021

    Versa Est 2

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    sketch
  • May 26, 2021

    Resonant Thoughts: Tim Ingold’s “Correspondences” (2021)

    “Words, spoken or handwritten, echo the pulse of things. They can caress, startle, enchant, repel…” “We might cease our endless writing about performance, and become performers ourselves.” “…we should work our words as craftsmen work their materials, in ways that testify, in their inscriptive traces, to the labour of their production, and that offer these… Continue reading

    Uncategorized, writing
  • May 25, 2021

    Brett’s Sound Picks: Seefeel’s “Meol 2” (2021)

    (The 2021 Playlist.) Continue reading

    Brett’s Sound Picks
  • May 24, 2021

    Versa Est

    Continue reading

    repetition, sketch, voice, why doesn’t he just write about music instead?
  • May 21, 2021

    Notes On In-Betweenness

    While there is something to those old sayings trust the process and it’s the journey, not the destination, in music production the process/journey often has the distinctive quality of feeling like an in-between state. Recently, while working on a new project, it occurred to me to think more about in-betweenness. I had just begun something… Continue reading

    in-betweenness
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Unquantized (Remodel)
  • Curating The Week: The Brand Age, Selling Out, Sync Music
  • Resonant Thoughts: John Ashbery’s “A Wave” (1984)
  • Art About Music: Google’s Lyria 3 (2026)
  • Studio Observations: Listening To Improvisation

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