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brettworks

thinking through music


  • July 3, 2020

    Resonant Thoughts: Donella H. Meadow’s Guidelines for Living in a World of Systems

    Get the beat of the system. Expose your mental models to the light of day. Honor, respect, and distribute information. Use language with care and enrich it with systems concepts. Pay attention to what is important, not just what is quantifiable. Made feedback policies for feedback systems. Go for the good of the whole. Listen… Continue reading

    complexity theory, Resonant Thoughts, Uncategorized
  • July 2, 2020

    Four Rhythms

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    rhythm, sketch, Uncategorized
  • July 1, 2020

    From Fretting To Positioning To Encounter Interestingness

    I used to fret about how I would begin a musical project. My way out of this quandary was to make recordings based on a single sound sample—a Tibetan singing bowl for Singing Bowl Music, Tibetan finger cymbals for Finger Cymbal Music, a Thai gong for Gong Music, crotales for Organ and Crotales Music, and… Continue reading

    Uncategorized, workflow, x-factors
  • June 30, 2020

    Brett’s Sound Picks: Beatrice Dillon’s “Workaround Eight” (2020)

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    Brett’s Sound Picks, Uncategorized
  • June 29, 2020

    No. 69

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    composition, Electronic music, music production, sketch method, Uncategorized
  • June 25, 2020

    Brett’s Sound Picks: R Beny’s “Alpenglow” (2020)

      (Parts almost going out of sync, but pulsing together.) (Brett’s Sound Picks 2020) Continue reading

    Brett’s Sound Picks, pulsation, pulseology, Uncategorized
  • June 24, 2020

    No. 22

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    Electronic music, sketch, sketch method, Uncategorized
  • June 23, 2020

    Resonant Thoughts: Matthew B. Crawford’s “Why We Drive” (2020)

    “In the affluent West, many of our energies of innovation seem to be channeled into creating experiences for the consumer that will make him feel good without making demands on him. This trend has been called ‘affective capitalism.’ Examples include computer gaming, pornography, psychoactive drugs, or a well-curated ecotourism adventure. Manufactured experiences are offered as… Continue reading

    analogies, Resonant Thoughts, Uncategorized
  • June 22, 2020

    Sound Design As Mind Design

    One of my music production routines is to build a sound from scratch in a VST synthesizer and then make music with it immediately. I do this most days and now that I think about it, the routine is like a training session, the goal of which is to learn how to produce music from… Continue reading

    Uncategorized
  • June 18, 2020

    Brett’s Sound Picks: Go Go Penguin’s “Embers” (2020)

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    Brett’s Sound Picks, Uncategorized
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Curating The Week: AI and Human Touch, AI and Writing, AI and Taste
  • Marimbafied 35
  • Pianola
  • Tuning
  • Unquantized (Remodel)

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