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brettworks

thinking through music


  • February 7, 2020

    Working Slow

    “Time passes more slowly for the one who keeps moving.” – Carlo Rovelli, The Order Of Time, p. 38 In running, there’s an approach known as low heart rate training, whereby most of your runs are done at a very relaxed pace. One measures this not by time per mile (e.g. an 8 minute per… Continue reading

    slownesss, time, Uncategorized
  • February 6, 2020

    Aphorism Triptych

    Continue reading

    aphorism triptych, Uncategorized
  • February 5, 2020

    Art About Music: John Singer Sargent’s “Capri Girl on a Rooftop” (1878)

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    art about music, Uncategorized
  • January 31, 2020

    Resonant Thoughts: Jun’ichirō Tanizaki’s “In Praise Of Shadows” (1977)

    “Had we invented the phonograph and the radio, how much more faithfully they would reproduce the special character of our voices and our music. Japanese music is above all a music of reticence, of atmosphere. When recorded, or amplified by a loudspeaker, the greater part of its charm is lost. In conversation, too, we prefer… Continue reading

    Resonant Thoughts, Uncategorized
  • January 30, 2020

    Aphorism Triptych

      Continue reading

    aphorism triptych, Uncategorized
  • January 29, 2020

    Musical Lines

    Translate the sense of indecision the composer feels when beginning you’ll recognize that no place sounds like the right way to start so how to know that chosen options will set a tuneful path paved by intentions not random timbres that if we begin here we won’t box ourselves in like notes on the stave a cage… Continue reading

    composition, Uncategorized
  • January 28, 2020

    Brett’s Sound Picks: Stenny’s “Cursed” (2019)

    (Follow Brett’s Sound Picks 2020) Continue reading

    Brett’s Sound Picks, Uncategorized
  • January 27, 2020

    Resonant Thoughts: Agnes Martin’s “Beauty Is The Mystery Of Life” (1989) 

    “We make art work as something that we have to do not knowing how it will work out.” “An artist is a person who can recognize failure.” “The response to art is the real art field. Composition is an absolute mystery.” – Agnes Martin, “Beauty Is The Mystery Of Life.” Continue reading

    Resonant Thoughts
  • January 24, 2020

    Notes On Craft

    “We must never lose sight of the fact that the most intelligently designed, the most versatile and the most complex piece of kit we have at our disposal is our own body.” -Deckle Edge, Craeft, p. 24 When I think about musicians I admire I always return to their sense of craft. These musicians are… Continue reading

    craft, Uncategorized
  • January 22, 2020

    Brett’s Sound Picks: Jacob Pavek and Philip Daniel’s “Morrow” (2020)

      Brett’s Sound Picks 2020 Continue reading

    Brett’s Sound Picks, Uncategorized
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Brett’s Sound Picks: Laura Cannell’s “The Water Had Carried Her” (2026)
  • Curating The Week: AI and Human Touch, AI and Writing, AI and Taste
  • Marimbafied 35
  • Pianola
  • Tuning

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