-
From Fretting To Positioning To Encounter Interestingness
I used to fret about how I would begin a musical project. My way out of this quandary was to make recordings based on a single sound sample—a Tibetan singing bowl for Singing Bowl Music, Tibetan finger cymbals for Finger Cymbal Music, a Thai gong for Gong Music, crotales for Organ and Crotales Music, and… Continue reading
-
Brett’s Sound Picks: R Beny’s “Alpenglow” (2020)
(Parts almost going out of sync, but pulsing together.) (Brett’s Sound Picks 2020) Continue reading
-
Resonant Thoughts: Matthew B. Crawford’s “Why We Drive” (2020)
“In the affluent West, many of our energies of innovation seem to be channeled into creating experiences for the consumer that will make him feel good without making demands on him. This trend has been called ‘affective capitalism.’ Examples include computer gaming, pornography, psychoactive drugs, or a well-curated ecotourism adventure. Manufactured experiences are offered as… Continue reading
-
Sound Design As Mind Design
One of my music production routines is to build a sound from scratch in a VST synthesizer and then make music with it immediately. I do this most days and now that I think about it, the routine is like a training session, the goal of which is to learn how to produce music from… Continue reading
-
Resonant Thoughts: Guy Sigsworth On Fast And Slow Creativity
“For me, there are two types of creativity: fast and slow. The spontaneous, explosive side, where I’m generating ideas quickly; and the refining, organising side, where I slowly make it fit together into a satisfying whole. It’s important to know whether, at any moment, you need to be in fast mode or slow mode. I… Continue reading
brettworks 
You must be logged in to post a comment.