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brettworks

thinking through music


  • September 30, 2019

    On Timers And Timeline Finessing

    I wanted to set up a timer on my desk. I would be one of those LED displays—preferably with large blue numbers—that I could place off to the side so that with a glance I’d know how long I had been working. I didn’t have a such a timer, so I settled for my phone… Continue reading

    timing, Uncategorized
  • September 27, 2019

    Untitled

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    aphorisms, Uncategorized
  • September 26, 2019

    Resonant Thoughts: Richard Seymour’s “The Twittering Machine” (2019)

    “It is this matrix that our passions, our desires, are accumulated as data, the better to manipulate and manage them. We confess to the machine while we walk, offering little ambulatory prayers. In doing so, we become cyborg beings: an assemblage of organic and inorganic materials, bits of technology, flesh and teeth, pieces of media,… Continue reading

    Resonant Thoughts, Uncategorized
  • September 25, 2019

    Brett’s Sound Picks: Ekin Fil’s “On The Move” (2018)

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    Brett’s Sound Picks, Uncategorized
  • September 24, 2019

    Art About Music: Rembrandt’s “Three Musicians (Allegory of Hearing)” (1624-25)

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    art about music, Uncategorized
  • September 23, 2019

    On Music Production’s Repeated Listenings

    “My work is a progressive revelation of something which exists independently of me. Attention is rewarded by a knowledge of reality.”  – Iris Murdoch, in Matthew B. Crawford, The World Beyond Your Head, p. 127 “I can’t begin to describe how that simple act of repetition back then made me so ecstatically happy—but it did.… Continue reading

    music production, Uncategorized
  • September 20, 2019

    Searches That Brought You Here: Nils Frahm, David Hockney, and J. Dilla

    • Nils Frahm Delay. This search brought you to my post about the music of Nils Frahm. I wrote: “The album alternates between intimate solo piano work that is perhaps Frahm’s signature quietudes sound, and more expansive (and long) pieces built upon rolling electronic keyboard arpeggios swirling in delay-effected, rhythm deluges.” • Hockney perspective. This… Continue reading

    searches that brought you here, Uncategorized
  • September 19, 2019

    Resonant Thoughts: Lewis Hyde’s “A Primer for Forgetting” (2019)

    “I gave up facts entirely in order to have an empty mind for inspiration to come into…You have to practice quiet, empty mind. I gave up the intellect entirely. I had a hard time giving up evolution and the atomic theory but I managed it…And I never have any ideas myself. I’m very careful not… Continue reading

    Resonant Thoughts
  • September 18, 2019

    Brett’s Sound Picks: Barker’s “Paradise Engineering” (2019)

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    Brett’s Sound Picks, Uncategorized
  • September 17, 2019

    Art About Music: Gustav Klimt’s “Music” (1895)

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    art about music, Uncategorized
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Brett’s Sound Picks: Laura Cannell’s “The Water Had Carried Her” (2026)
  • Curating The Week: AI and Human Touch, AI and Writing, AI and Taste
  • Marimbafied 35
  • Pianola
  • Tuning

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