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brettworks

thinking through music


  • February 23, 2026

    Cerulean Call (Remodel)

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    Uncategorized
  • February 20, 2026

    Curating The Week: Light, Musical Variations, DJing, Joep Beving

    • An essay on light in the paintings of Caravaggio and Georges de La Tour. “When one looks at La Tour’s paintings, it is hard not to see signs of the devotional culture of his time: a Counter-Reformation Catholic world that valued stillness, interior reflection, and meditative attention, and that found spiritual meaning in restraint… Continue reading

    Curating The Week
    art, Creativity, painting
  • February 19, 2026

    Resonant Thoughts: C. Thi Nguyen, The Score (2026)

    “The pursuit of fish creates an attentional focal point. It structures the way I look at the river—it gives me a goal, tells me what to look for, what to see” (29). “The real point is something larger, stranger, more mystical. You spend time on a river trying to catch fish, and you start noticing… Continue reading

    Resonant Thoughts
  • February 17, 2026

    Curating One’s Work

    Every artist is their own curator. One curates at the level of sounds and sentences, parts and paragraphs, textures and timbres, arrangements and structures, finished tracks and essays. To curate is to be continually making decisions about what to keep and what to jettison, what to edit and re-arrange and what to leave just as… Continue reading

    curation
  • February 16, 2026

    Admirabilis (FourFours)

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    Uncategorized
  • February 15, 2026

    Second Sine

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    Uncategorized
  • February 14, 2026

    Curating The Week: Consicousness, AI, Writing Rooms, Mark Ernestus’ Ndagga Rhythm Force

    • An interview with Michael Pollan. “Our consciousness is being polluted, and protecting ourselves against that at the same time we preserve the ability to act politically is a difficult balancing act. Consciousness is a very precious realm. It’s the realm of our privacy and our freedom to think. So I think we need some… Continue reading

    Curating The Week
    AI, consciousness, writing
  • February 13, 2026

    Of Sines

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    Uncategorized
  • February 12, 2026

    Resonant Thoughts: Martin Gayford’s “Spring Cannot Be Cancelled: David Hockney in Normandy” (2021)

    “Each time I do a still life, I get very excited and realize that there are a thousand things here I can see! Which of them shall I choose? The more I look and think about it, the more I see. These simple little things are unbelievably rich. A lot of people have forgotten that.… Continue reading

    Resonant Thoughts
    art
  • February 11, 2026

    Drumming Diaries: Inherent Rhythms

    What do musicians think about when they’re playing music? I think about this question often when I’m playing percussion because music seems to stimulate multiple kinds of thinking. The comprehensive cognitive effects of playing and listening to music are of course well documented; music literally “lights up nearly all of the brain” as Harvard Medicine… Continue reading

    drumming diaries, inherent rhythms
    psychogeography, rhythm
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Database: Christian Löffler on Working Quickly and Using Field Recordings
  • Curating the Week: The Additional Touch, Philip Glass’s Music, How to Write a Paper
  • Performance Practice: Lessons from Music for 18 Musicians
  • Resonant Thoughts: James Marriott’s “The New Dark Ages: The Death of Reading and the Dawn of the Post-Literate Society” (2026)
  • 5 October

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