Skip to content
    • about
    • ai in music resources
    • archives
    • art about music
    • atelier
    • books
    • brett’s sound picks
    • database (a cache of perceptions)
    • film
    • interview
    • keywords
    • music
    • thought tools
    • ventrilo-dialogues

brettworks

thinking through music


  • May 10, 2019

    Curating The Week: Distraction, Sublime Frequencies, Disco’s Influence

    • An essay on digital distraction. “The problem of concentration is recursive. Any strategy for sidestepping distraction calls for strategies on sidestepping distraction.”  • An article on Sublime Frequencies’ world music recordings. “The label Sublime Frequencies…was initially a response to the reigning approach of ethnomusicology, which they perceived as prizing a kind of detached, academic… Continue reading

    Curating The Week, Uncategorized
  • May 9, 2019

    Resonant Thought: Ferran Adria’s “Notes On Creativity” (2014)

      “The ‘why’ is the driving force of all of our work. It means to take nothing for granted, and to ask ourselves if everything, absolutely everything, can be changed, developed, or improved. The ‘why’ is a symbol that reminds us that we don’t know anything, that we have much to learn, and that this… Continue reading

    Resonant Thoughts, Uncategorized
  • May 8, 2019

    Brett’s Sound Picks: Caterina Barbieri’s “Fantas” (2019)

      Listen to Brett’s Sound Picks 2019. Continue reading

    Brett’s Sound Picks, Uncategorized
  • May 7, 2019

    Art About Music: Giovanni Cariani’s “A Concert” (c. 1518-1520)

    Continue reading

    art about music, Uncategorized
  • May 6, 2019

    On Nontypical Timekeeping Ways And Messing With Percussion Sounds

    “Beware of clichés…There are clichés of response as well as expression. There are clichés of observation and of thought—even of conception. Many novels, even quite a few adequately written ones, are clichés of form which conform to clichés of expectation.” -Geoff Dyer I’ve been enjoying messing with my percussion sounds to make them more interesting… Continue reading

    beat programming, Uncategorized
  • May 3, 2019

    Resonant Thoughts: Damon Krukowski’s “Ways Of Hearing” (2019)

        “In the digital studio…everything you do is provisional. That is, it can be redone, reshaped, rebuilt.” Damon Krukowski, Ways Of Hearing (2019), p. 1 Continue reading

    Resonant Thoughts, Uncategorized
  • May 2, 2019

    Notes On An ECM Recording

    A lot of musicians have their ECM Records story, and mine involves biking to a second hand record store on weekends in the 1980s. I would peruse the Jazz section, in search of rare LPs I had heard on the radio that featured exceptional drumming. One of the exceptional drummers was Jack DeJohnette, and one… Continue reading

    ECM, jazz fusion, musical autobiography, Uncategorized
  • May 1, 2019

    Brett’s Sound Picks: Amon Tobin’s “On a Hilltop Sat the Moon” (2019)

    Continue reading

    Brett’s Sound Picks, Uncategorized
  • April 30, 2019

    Maertan Van Heemskerck’s “Concert of Apollo and the Muses on Mount Helicon” (1565)

    Continue reading

    art about music, Uncategorized
  • April 29, 2019

    From Obvious To More Subtle Music

    When the music is obvious it what’s it’s trying to do, I lose interest in it because I’m not pushed to try to figure it out or track its changes through a thicket of subtleties. This applies to stuff I listen to as well as my own productions. I spend more than half of my… Continue reading

    music production, musical subtlty, Uncategorized
«Previous Page Next Page»

Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Database: Mark Clifford On Squeezing The Life Out Of Equipment
  • Drumming Diaries: Energies of Performance
  • Brett’s Sound Picks: øjeRum’s “I (2026 remaster)”
  • In The Works: 28 April
  • Resonant Thoughts: John Berger’s “Permanent Red: Essays in Seeing” (1960/2025)

Subscribe To Brettworks


©

brettworks

2022, All Rights Reserved.

Blog at WordPress.com.

Loading Comments...

You must be logged in to post a comment.

    • Subscribe Subscribed
      • brettworks
      • Join 755 other subscribers
      • Already have a WordPress.com account? Log in now.
      • brettworks
      • Subscribe Subscribed
      • Sign up
      • Log in
      • Report this content
      • View site in Reader
      • Manage subscriptions
      • Collapse this bar