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On Being Comprehensive (And Coming Up Short)
One evening I was going through sounds on the computer, listening through effects, trying out combinations, and realizing how faint a grasp I had on the production process. I was both excited and frustrated as I felt my way through a sonic darkness. At the end of the session I scribbled a single phrase in… Continue reading
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Notes On A Music Production Workflow
I know some ways to work, but there are so many routes to get musical things done that each session is a re-thinking of how to work. (Begin anywhere Cage said.) • I began with marimba chord samples that I had recorded a few months back. I played between 20 and 30 different chord rolls—plenty to… Continue reading
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Frames Of Attention: Deciding On Musical Materials
One of the primary tasks involved in building a piece of music or a piece of writing is figuring out as early as possible in the process what materials you’re working with. Our process won’t reveal itself until we’re further along it, so there’s so sense worrying about that until we get there. But our… Continue reading
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Notes On Weezer’s Cover Of A-Ha’s “Take On Me”
“Weezer isn’t stuck in roles, so we just do what we want to do, what makes us excited.” -Rivers Cuomo, Weezer I’m listening to Weezer’s cover of “Take On Me”, a synthpop hit from 1984 by the Norwegian band A-Ha. I like both versions of the song: the original was exceptional—a song almost sublime in… Continue reading
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Resonant Thoughts: Paul Bertolli’s “Cooking By Hand” (2003)
“ “Most of all, I’ve learned that the art of cooking consists largely of ‘watching’ with all the senses.” “To keep a pear in mind as it ripens is to practice cooking in its simplest form. It is through such observance of any food from the point of purchase throughout its preparation and later in… Continue reading
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Music Production Notes: Creating Separation Between Different Stages Of Composing
I work on projects in distinct stages for various reasons, not least of which is simplifying my workflow so I have some idea of what I need to do each day. (Oh I’m editing today? Okay great.) This has an inherent benefit: it creates separation between different ways of working. For my current project, I… Continue reading
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Arrows Of Attention: 100 Music Production Movements
Move from a blur to clarity. Move from sharp attack to slow. Move from everything sounding at once to a single sound. Move from bass-heavy to treble-light. Move from sparseness to density. Move from thick to transparent. Move from on-beat to off-beat. Move from left-panned to right-panned. Move from macro to granular. Move from… Continue reading
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