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brettworks

thinking through music


  • November 7, 2018

    Ventrilo-Dialogue: An Imagined Conversation With Harold Budd

    Tom: Thanks for talking with me today Harold. Budd: Sure. T: I’ve been enjoying your keyboard music for many years and I’m curious to know how you came to your way of playing. You once said in a Red Bull interview,  “I’m not a pianist, any piano player will tell you that…Just take responsibility, it’s… Continue reading

    Uncategorized, ventrilo-dialogue
  • November 6, 2018

    Art About Music: Judith Leyster’s “The Concert” (c. 1663)

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    art about music, Uncategorized
  • November 5, 2018

    Revisiting Harold Budd’s Music

    Like many enduringly interesting things, Harold Budd’s music enriches your experience while being difficult to describe. He plays piano (and sometimes electronic keyboards) in a style that is ambient and quite gentle. It’s not jazz or new age, and certainly not pop. It doesn’t run through a series of chord changes, or variations on a… Continue reading

    listening, Uncategorized
  • November 2, 2018

    Tech Talk

    We were talking tech about the Jetsons watch that takes calls and your pulse and a tablet with glass touchscreen then I remembered my old computer in the 90s with black and white graphics and a MIDI connection beloved for simulating music I said I’m astonished by digital’s latest and do you think maybe one day our minds will… Continue reading

    poetry, Uncategorized
  • November 1, 2018

    Brett’s Sound Picks: Caterina Barbieri’s “SOTRS” (2017)

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    Brett’s Sound Picks, Uncategorized
  • October 31, 2018

    (YouTube Feed)

    I (fill in the blank)’d for one month, here’s what happened   Five things that are harder to do than (fill in the blank)  How to make (fill in the bank) sound like (fill in the blank)  Everything you need to know about (fill in the blank)  The ultimate (fill in the blank) workout   Ten tips for (fill in the blank)  How… Continue reading

    poetry, Uncategorized
  • October 30, 2018

    Art About Music: Zanobi Strozzi’s “The Madonna of Humility With Two Musician Angels” (c. 1448-1450)

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    art about music, Uncategorized
  • October 29, 2018

    On Drum Solos

    “With its vaudevillian connotations of entertainment, juggling, and showmanship, few participants relish the idea of a drum solo outside of some framing musical context, either in concert or for demonstration purposes. As expert practitioners, however, we are frequently called upon to supply just that at drum festivals and workshops.” – Bill Bruford, Uncharted: creativity and… Continue reading

    drum solos, Uncategorized
  • October 26, 2018

    Art About Music: Jan Steen’s “The Music Lesson” (c. 1650)

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    art about music, Uncategorized
  • October 25, 2018

    Piano Over Organ

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    Uncategorized
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Database: Laura Cannell On The Mechanics Of Acoustic Instruments, Improvising, And Simple Motifs
  • Omni 128 bpm
  • Brett’s Sound Picks: Laura Cannell’s “The Water Had Carried Her” (2026)
  • Curating The Week: AI and Human Touch, AI and Writing, AI and Taste
  • Marimbafied 35

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