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thinking through music


  • June 18, 2018

    Thinking About How Musicians Think When Playing: Music As Sensory Enhancement And Heightening

    Getting at how musicians think while they’re playing—what they think about, where their thinking goes and how it interfaces with the sounds they make and hear—seems like a tall task of understanding, a challenge like asking a tennis or soccer player: what was going through your mind when you played that shot/when you scored that goal?… Continue reading

    music performance, phenomenology, Uncategorized
  • June 15, 2018

    Piano, Metals And Organ Music

    Available on Spotify and Apple Music. (Mastered by Alain Van Achte) Continue reading

    Electronic music, percussion, Uncategorized
  • June 14, 2018

    Musical Stereotypes

    Pop is simple form predictably returning the young showing off their catchy hooks classical is complex form elite and large-scale snobby about its origins  country is conservative thought regular guy sound ideology disguised as sentimentality  metal is a blade sharpened through distortion and volume angry about its isolation  dance is four-on-the-floor lost in relentless moments… Continue reading

    poetry, Uncategorized
  • June 13, 2018

    Brett’s Sound Picks: Actress’s “Momentum” (2018)

    Continue reading

    Brett’s Sound Picks, Uncategorized
  • June 12, 2018

    Art About Music: Johannes Vermeer’s “Woman With A Lute” (c. 1662-1663)

    Continue reading

    art about music, lutes, Uncategorized
  • June 11, 2018

    How Musics Learn

      In music, change of one type or another is what we listen for, what we crave as information-seeking beings. Change is what keeps us listening and interested: we listen for the moments when something happens, dramatic or subtle, when one state of affairs transforms into another. Change can happen extremely fast—from one chord becoming… Continue reading

    musical learning, Uncategorized
  • June 8, 2018

    Curating The Week: Autechre, Nyabinghi, CDs

    • A review of a set of new Autechre recordings. “It’s the visceral sound of machines powering down then quickly lurching back into motion. It’s that sense of perpetual rhythmic collapse, the feeling that entire songs are slipping out from under your feet. It’s gorgeous and terrifying and awe-inspiring and incomprehensible and frequently even funky—but… Continue reading

    Curating The Week, Uncategorized
  • June 7, 2018

    Music Waits

    It’s 5:28pm and I’ve done everything but work on the music which waits for guidance waits for me to fix it align its relations let its logic sing. Continue reading

    poetry, Uncategorized
  • June 6, 2018

    Brett’s Sound Picks: Giulio Aldinucci’s “Chrysalis” (2017)

    Continue reading

    Brett’s Sound Picks, Uncategorized
  • June 5, 2018

    Art About Music: Barnett Newman’s “The Song Of Orpheus” (1944-45)

    Continue reading

    art about music, Uncategorized
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Art About Music: “When Is That Young Man Going Home?” (1931)
  • Curating The Week: Freedom, Exceptionalism, Finishing
  • Curating The Archive: Of Slow Voices (5.2.2022)
  • Database: Laura Cannell On The Mechanics Of Acoustic Instruments, Improvising, And Simple Motifs
  • Omni 128 bpm

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