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brettworks

thinking through music


  • February 1, 2018

    Brett’s Sound Picks: Leadcutter John’s “Resurrection”

    (Beginnings can grab you, middles might compel, but sometimes you listen to seven minutes and forty-six seconds of music to arrive at its beguiling final three.) Continue reading

    Brett’s Sound Picks, Uncategorized
  • January 31, 2018

    Art About Music: Akai MPC60 (1988)

      Continue reading

    art about music, Uncategorized
  • January 30, 2018

    Resonant Thoughts: On John Cage’s “Diary: How to Improve the World (You Will Only Make Matters Worse) 

    “Refuse value judgments” (21). “all technology must move toward way things were before man began changing them: identification with nature in her manner of operation, complete mystery” (25). “Proposal: take facts of art seriously” (32). “There’s a temptation to do nothing simply because there’s so much to do that one doesn’t know where to begin.… Continue reading

    Uncategorized
  • January 29, 2018

    Musical Mind Reading

    It’s hard to know what the musicians you’re playing with are thinking. Consider what you have to go on. First and foremost you have the sounds they make. Though some try, musicians can’t ever hide behind their sounds because their sounds reveal them—they give voice to their sound-producing capabilities and limits. Presumably, a musician’s sounds… Continue reading

    Uncategorized
  • January 26, 2018

    Curating The Week: Music and Food, Brian Eno, Failed Artists

    • A brief video on a composer’s music and the intersection of music and food. • Brian Eno’s lecture “The Recording Studio As Compositional Tool”: • A critic discusses his life as a failed artist. “My work had something of the timeless beauty of older geometries and hermetic diagrams and illustration. The colors were pretty.… Continue reading

    Curating The Week, Uncategorized
  • January 25, 2018

    From The Archives: Paul Morley’s “Words And Music”

    (In these posts I resurrect older brettworks blog posts because their subject matter continues to compel me.) Notes On Paul Morley’s “Words and Music” Continue reading

    from the archives, Uncategorized
  • January 24, 2018

    Devotional Music

    At 74th street station the Hare Krishna guys are making a din with harmonium cymbals voices and drums playing loose fitting rhythms to offer a question— Is music devotion or plain interruption? Continue reading

    poetry, Uncategorized
  • January 23, 2018

    Listening Over And From Afar

    “Hearing is like being touched and moved from a distance.” – David Burrows, Time and the Warm Body, p. 89. I’ve been trying out new ways of listening while performing, trying to get beyond the sounds of my percussion instruments and get closer to the other sounds around and beyond me. When I do this,… Continue reading

    listening, performance notes, Uncategorized
  • January 22, 2018

    Resonant Thoughts: James Dyson On Creativity

    Here is British inventor/engineer James Dyson, known for his innovative vacuum cleaner design: “People think of creativity as a mystical process. The idea is that creative insights emerge from the ether, through pure contemplation. This model conceives of innovation as something that happens to people, normally geniuses. But this could not be more wrong. Creativity… Continue reading

    Creativity, Uncategorized
  • January 19, 2018

    Resonant Thoughts: Unlearning And Disciplined Dissidence In Andy Merrifield’s “The Amateur” (2017)

    “I consider myself as deschooled: I learned how to unlearn, and continue to follow the twisted path of ‘disciplined dissidence.’”* (*“Disciplined dissidence” is a phrase of Ivan Illich, who speaks of it in his Deschooling Society as a quality “which cannot be measured against any rod, or any curriculum, nor compared to someone else’s achievements”… Continue reading

    Resonant Thoughts, Uncategorized
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Database: Arovane On Decisive Sources Of Good Musical Ideas
  • Musical Ideas
  • 2 September
  • Curating the Week: Juggling, Music Teachers, Writing, Tacit Knowledge in Research
  • 8000 Studies

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