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thinking through music


  • September 17, 2025

    Resonant Thoughts: Lewis Hyde’s “The Gift: Creativity and the Artist in the Modern World” (1983/2007)

    “Where there is no gift there is no art” (13). “Usually, in fact, the artist does not find himself engaged or exhilarated by the work, nor does it seem authentic, until this gratuitous element has appeared, so that along with any true creation comes the uncanny sense that ‘I,’ the artist, did not make the… Continue reading

    Resonant Thoughts
  • September 16, 2025

    Music and Energy

    Paul Klee, Ancient Sound (1925) Music is all energy. From its oscillating sound waves to its emotional effects on listeners, music encapsulates and compresses energy and then unleashes it back into the world. The orchestra, the choir, the DJ, the percussionist–musicians are energy artisans who use sound to build fleeting structures of feeling. Composing, a… Continue reading

    energy
  • September 15, 2025

    Freeze Studies 5

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    Uncategorized
  • September 12, 2025

    Brett’s Sound Picks: Ævestaden’s “Bort från kursen” (2025)

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    Brett’s Sound Picks
  • September 11, 2025

    Marimba Mediations 3

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    awesomeness
  • September 10, 2025

    Fragments

    Combining your strange tastes often leads to interesting artistic results. There’s no precise slot for art-making in everyday life. Sneak it in. The best-sounding tracks are one-offs. Making multiples of works–for example, by keeping their instrumentation or structure identical–frees you from options. Music lessons: aim for a maximum sound whilst being maximally relaxed. Musical sounds… Continue reading

    fragments
  • September 9, 2025

    From The Archives: Marimbafied 2 (12.7.23)

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    from the archives, who cares if you listen?
  • September 4, 2025

    Curating The Week: Running, Terry Riley, Wisdom, A.I.

    • A video (with music) about running. • An essay on Terry Riley. “I felt like a transcendentalist, an illusionist, or a magician. Something that has to do with magic. I feel it’s my field to create magic in sound. Magic in the sense of transcendence of this ordinary life into another realm. An awakening,… Continue reading

    Curating The Week
    AI, consciousness, philosophy, spirituality, wisdom
  • September 2, 2025

    August Arp (By Hand)

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    arpeggios
  • August 28, 2025

    Resonant Thoughts: Ian Penman’s “Erik Satie Three Piece Suite” (2025)

    “Certain pieces by Satie are like someone took the lovely opening minutes of Keith Jarrett’s The Köln Concert and cut away all the subsequent faff and bore and chaff and chore and ego moan.” (54) “IN-BETWEEN All those in-between emotions it’s hard to name. Old time feelings in danger of disappearing. Staring into space vs… Continue reading

    Resonant Thoughts
    books, music, review, reviews, writing
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Database: Christian Löffler on Working Quickly and Using Field Recordings
  • Curating the Week: The Additional Touch, Philip Glass’s Music, How to Write a Paper
  • Performance Practice: Lessons from Music for 18 Musicians
  • Resonant Thoughts: James Marriott’s “The New Dark Ages: The Death of Reading and the Dawn of the Post-Literate Society” (2026)
  • 5 October

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