Skip to content
    • about
    • ai in music resources
    • archives
    • art about music
    • atelier
    • books
    • brett’s sound picks
    • database (a cache of perceptions)
    • film
    • interview
    • keywords
    • music
    • thought tools
    • ventrilo-dialogues

brettworks

thinking through music


  • January 22, 2025

    Database: Plaid On Mistakes Leading To Originality

    “Often the originality is in the mistakes. You might try and make a drum and bass track but don’t have the skills so it turns out a bit weird..but that kind of weird is something new…something stranger and more exciting might come out it.” Andy Turner (aka Plaid) Continue reading

    database
  • January 21, 2025

    Atelier: Current Studies #13

    Continue reading

    atelier
  • January 16, 2025

    Brett’s Sound Picks: Julius Asal Plays Debussy, “Preludes, Book 1, CD 125: VI. Des pas sur la neige” (2024)

    Brett’s Sound Picks Continue reading

    Brett’s Sound Picks
  • January 14, 2025

    Atelier: Current Studies #15

    Continue reading

    atelier, pulseology
  • January 10, 2025

    Musical Genealogies: Aphex Twin’s “#3” (1994-2024)

    Released in 1994, Richard James/Aphex Twin’s “#3”, sometimes referred to as “Rhubarb”, is a beautiful, almost disinterested piece of music. Anchored by a five-chord pad sequence, the track runs seven minutes thanks to repetition, a modular structure, and some beguiling Aphexian details. The structure is broadly in seven parts. It begins with the main chords,… Continue reading

    musical genealogies, versioning
    music, reviews
  • January 8, 2025

    Database: Guy Brewer On Constraints To Define Your Sound

    “As much as I’m all for people letting go while writing and just letting the process take them forward, I also think there’s a certain amount of thought that should go into deciding who you want to be, what you want to represent. I choose bits of equipment for each track because I know they… Continue reading

    database
  • January 6, 2025

    Arp

    Continue reading

    pulseology
  • January 5, 2025

    Resonant Thoughts: Witold Rybczynski’s “How Architecture Works: a Humanist’s Toolkit” (2011)

    “You arrive at the sublime or poetic not by metaphor, but by making virtues out of necessity. That’s the secret of design.” Diamond Schmitt “The plan is the generator.” Le Corbusier “Values, not rules.” Witold Rybczynski, How Architecture Works Continue reading

    design, Resonant Thoughts
  • January 3, 2025

    Atelier: current studies #6

    Continue reading

    atelier, pulseology
  • December 23, 2024

    Atelier: Three Tones (Marimbafied Version)

    Continue reading

    atelier
«Previous Page Next Page»

Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Database: Christian Löffler on Working Quickly and Using Field Recordings
  • Curating the Week: The Additional Touch, Philip Glass’s Music, How to Write a Paper
  • Performance Practice: Lessons from Music for 18 Musicians
  • Resonant Thoughts: James Marriott’s “The New Dark Ages: The Death of Reading and the Dawn of the Post-Literate Society” (2026)
  • 5 October

Subscribe To Brettworks


©

brettworks

2022, All Rights Reserved.

Blog at WordPress.com.

  • Subscribe Subscribed
    brettworks
    Join 780 other subscribers

    Have a WordPress.com account? Log in now.

  • brettworks
    View site in Reader
    Manage subscriptionsSign upLog in
    Report this content
    Collapse this bar