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brettworks

thinking through music


  • December 9, 2024

    Atelier: Current Study 1

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    atelier
  • December 6, 2024

    Brett’s Sound Picks: Nicolas Jaar’s “F Collect” (2024)

    Brett’s Sound Picks 2024 Continue reading

    Brett’s Sound Picks
  • December 5, 2024

    Resonant Thoughts: Brian Eno and Bette A.’s “what art does: an unfinished theory” (2024)

    “In art we research our feelings. Artists are feelings merchants–a piece of art is something designed to trigger feelings.” “Through art, you can investigate the kind of feelings you want to have, and where to get them. Art gives us the chance to answer the question: What is it that I really like?” “The things… Continue reading

    Resonant Thoughts
  • December 4, 2024

    Art About Music: Johannes Vermeer’s “Girl Interrupted at Her Music” (1658-1661)

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    art about music
  • December 3, 2024

    Atelier: Two Keys

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    atelier
  • December 2, 2024

    Keywords: Small Structures

    Agnes Martin, “Untitled” (1961) Ambitious ideas imagine grand designs, but we achieve them through building small structures: one sentence then another, connected, a few considered sounds working in concert, counterpointed. Small structures is the principle of finding the most minimalist expression of a music’s idea, doing the least to achieve a maximum effect. A minimalist… Continue reading

    keywords
  • November 29, 2024

    Art About Music: Sebastiano Lazzari’s “Still Life” (18th c.)

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    art about music
  • November 28, 2024

    Brett’s Sound Picks: r beny’s “braid into chorus” (2024)

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    Brett’s Sound Picks
  • November 27, 2024

    Database: Arvo Pärt On Music’s Independence From Instruments And The Value Of Interpretation

    “Music has to exist by itself . . . two, three notes. The secret must be there, independent of any instrument. Music must derive from inside, and I have deliberately tried to write such music that can be played on a variety of instruments. It does make a difference to me from which instrument to… Continue reading

    database
  • November 26, 2024

    Music Is Not Content

    Music isall vibration,ambiance,call and response,code,competition,enchantment,entrainment,evanescent,gendered,improvised,mathematical,metaphor,midi sequenced,mood altering,notated,oral tradition,pattern,prophecy,playlisted,recorded artifact,rehearsed to death,remembrance,ritual,sampled,sexualized,signifying,sociality,structure of feeling,symbol,soundtrack,subliminal,technique,trippy,viral,virtue signaling,you and I jamming. Continue reading

    thought tools
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Database: Christian Löffler on Working Quickly and Using Field Recordings
  • Curating the Week: The Additional Touch, Philip Glass’s Music, How to Write a Paper
  • Performance Practice: Lessons from Music for 18 Musicians
  • Resonant Thoughts: James Marriott’s “The New Dark Ages: The Death of Reading and the Dawn of the Post-Literate Society” (2026)
  • 5 October

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