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brettworks

thinking through music


  • November 8, 2024

    current studies #6

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    atelier
  • November 7, 2024

    Keywords: No Expectations

    No expectations is an approach to workflow as open-ended and non-determined. The mindset celebrates continual play on your musical system’s edges: exploring tools, trying things out, noticing how the sounds feel and work on you rather than having preset, a priori ideas of how you should use them. Play a few chords, turn a few… Continue reading

    keywords
    art, music, poetry
  • November 6, 2024

    Database: Jack Stratton On Hyped-Up Versus Doing Their Little Thing Sounds

    “For a while there—and I have to credit a friend with this phrase—we lived under the Rule of the Solo Button, where every instrument sounded lush and big. So you got these really hyped-up sounds—and it’s cool when everything’s hyped up. It’s kind of like the Chipotle burrito, where every element you could just eat… Continue reading

    database
  • November 5, 2024

    Notes On Music and Joy

    Vulfpeck, “Back Pocket” (2015) Continue reading

    Brett’s Sound Picks
  • November 4, 2024

    Resonant Thoughts: Timothy Snyder’s “On Tyranny” (2017)

    “It is your ability to discern facts that makes you an individual, and our collective trust in common knowledge that makes us a society. The individual who investigates is also the citizen who builds. The leader who dislikes the investigators is a potential tyrant.” “Since in the age of the internet we are all publishers,… Continue reading

    Resonant Thoughts
  • November 1, 2024

    Resonant Thoughts: Michael Crawley’s “To The Limit: The Meaning of Endurance from Mexico to the Himalayas” (2024)

    “You have to be able to feel where the edge is in particular training sessions, to have a sense of pace from the catch of your breath and the weight of your legs, and you have to be able to be attentive to the background fatigue that is the constant companion of any athlete.” “‘You… Continue reading

    Resonant Thoughts
  • October 31, 2024

    When The First Nine Minutes Set Up The Last Three: Felicia Atkinson’s “Thinking Iceberg” (2024)

    playlist Continue reading

    Brett’s Sound Picks
  • October 30, 2024

    [untitled]

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    atelier
  • October 29, 2024

    Database: Sean Booth On Accessing That Space and Maxing It Out

    “I’m quite often trying to access that space that I was in before I knew how any technology worked, when I was hearing records and imagining what the sounds might be. That to me is a really valuable thing.” “Just get the little thing and fucking max it out. You know, get it doing shit… Continue reading

    database
  • October 28, 2024

    Keywords: Genre & Style Thinking

    Genre & style thinking is reflecting on the kind of music you could be making. You may find inspiration in what you listen to, but the music you could be making is more than the sum of your fandoms. In fact, it probably isn’t like anything you already know. Try to imagine its sound— its… Continue reading

    keywords
    blog, culture, jazz, music, rock
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Database: Christian Löffler on Working Quickly and Using Field Recordings
  • Curating the Week: The Additional Touch, Philip Glass’s Music, How to Write a Paper
  • Performance Practice: Lessons from Music for 18 Musicians
  • Resonant Thoughts: James Marriott’s “The New Dark Ages: The Death of Reading and the Dawn of the Post-Literate Society” (2026)
  • 5 October

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