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brettworks

thinking through music


  • May 3, 2023

    Brett’s Sound Picks: The Field’s “Alter – The Field Remix” (2023)

    2023 Continue reading

    Brett’s Sound Picks
  • May 2, 2023

    Tuned

    Continue reading

    tuning
  • May 1, 2023

    ‘In The Style Of’: Perspectives On Creativity From AI-Based Text, Image, and Music Generators

    “Innovation, like evolution, is a process of constantly discovering ways of rearranging the world into forms that are unlikely to arise by chance—and that happen to be useful.” Matt Ridley, How Innovation Works “The higher the creativity component of a profession, the more likely it is to have disconnected inputs and outputs.” Naval Ravikant In Continue reading

    AI
  • April 28, 2023

    Presence In Absence

    Listen on Spotify, Apple Music Continue reading

    Uncategorized
  • April 27, 2023

    Database: Laurel Halo On Keeping Your Own Sound At The Core

    “For me it usually starts off with either coming up with a chord progression I haven’t quite heard before, a beat I haven’t heard before, a new type of sample. I’m always just trying out new things – Hour Logic is quite different from King Felix, which is quite different from the things I’ve done Continue reading

    database
  • April 26, 2023

    Brett’s Sound Picks: Neil Cowley’s “Cord” (2023)

    Who Cares If You Listen? Continue reading

    Brett’s Sound Picks
  • April 25, 2023

    Opal 4

    Continue reading

    who cares if you listen?
  • April 24, 2023

    Playing An Instrument, Playing A DAW, Omnimusicality

    I’ve been thinking about how playing an acoustic musical instrument can be a model for producing music in DAW software. As I hear it, producers who approach their DAWs as instruments develop novel and idiosyncratic ways of creatively playing the technology rather than merely using it. This post compares the experiences of playing an instrument Continue reading

    omnimusicality
  • April 21, 2023

    Curating The Week: Peter Doig On Artworks Taking Time To Resolve, Lo-fi Aesthetics, ChatGPT

    • An interview with Peter Doig. “Paintings have taken a lot of time to resolve, but I would keep them rather than abandon them—because I would think the elements were worth pursuing.” “I don’t really like the term ‘magical realism.’ You know, the spaces that exist within the painting are really spaces that have to Continue reading

    Curating The Week
  • April 20, 2023

    Art About Music: Peter Doig’s “Music Shop”, “Music (2 Trees)”, “House of Music (Soca Boat)” (2019-2023)

    Music Shop Music (2 Trees) House of Music (Soca Boat) Continue reading

    art about music
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Database: Dave Stewart On Stereo Picture, Frequency Differences, And Demos
  • Brett’s Sound Picks: Musicentrydelete’s “Depth” (2025)
  • When Less Leads To More
  • Omni 98 bpm
  • Drumming Diaries: Grip

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