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brettworks

thinking through music


  • January 17, 2023

    FA 3

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    Uncategorized
  • January 16, 2023

    Many Lines From A Single Gesture

    It’s easy to fret over the direction a new track might take. We wonder, Have I begun in a potent place or painted myself into a corner before I’ve gotten going? But a direction can be figured out as you move along the production process. What’s most important, initially, is your gesture. I’ve thought about gesture in Continue reading

    gesture
  • January 13, 2023

    Curating The Week: Interconnected Production, Creative Algorithms, Collaborative Art

    • An article on interconnected production. “The approach that several people work on a project is essential for me. In terms of authorship, there isn’t a singular ‘great creator’ but many people who play around with it.” • An essay on creative algorithms. “I felt violated. The way I draw is the complex culmination of Continue reading

    Curating The Week
  • January 10, 2023

    FA 13

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    Uncategorized
  • January 9, 2023

    Making Music Is Phenomenology

    “I was thinking, yes, but in shifting shapes and rhythms and dimly colored vectors, thinking with my senses, feeling my way toward insights and understandings that had more the form of feelings blooming in my belly than of statements being spoken within my skull.” David Abram, Becoming Animal (2011), p. 112 Making music is phenomenology—accessing Continue reading

    phenomenology
  • January 6, 2023

    Art About Music: Salvador Dali’s “A Chemist Lifting with Extreme Precaution the Cuticle of a Grand Piano” (1936)

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    art about music
  • January 5, 2023

    Resonant Thoughts: Hua Hsu’s “Stay True: A Memoir” (2022)

    “Music no longer modeled a better world.” “She was asking, what is history? Do you see yourself in it? Where did you find your models for being in the world? How did you learn about love and honor and pity and pride and compassion and sacrifice? She was looking for turning points. Maybe a feeling, Continue reading

    Resonant Thoughts
  • January 4, 2023

    Brett’s Sound Picks: TLF Trio’s “Passacaglia” (2022)

    2023 playlist Continue reading

    Brett’s Sound Picks
  • January 3, 2023

    O 5

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  • January 2, 2023

    Windows Of Attention

    Consider two scenes. You’re on your way somewhere–riding the elevator, walking, or sitting on the train–listening to music. You don’t have much time so you listen closely and the music has an urgency about it. You notice details in the sounds, details you hadn’t noticed before. You’re sitting at an instrument, making music. You were Continue reading

    windows of attention
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Database: Dave Stewart On Stereo Picture, Frequency Differences, And Demos
  • Brett’s Sound Picks: Musicentrydelete’s “Depth” (2025)
  • When Less Leads To More
  • Omni 98 bpm
  • Drumming Diaries: Grip

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