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Resonant Thoughts: Hua Hsu’s “Stay True: A Memoir” (2022)
“Music no longer modeled a better world.” “She was asking, what is history? Do you see yourself in it? Where did you find your models for being in the world? How did you learn about love and honor and pity and pride and compassion and sacrifice? She was looking for turning points. Maybe a feeling,… Continue reading
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Windows Of Attention
Consider two scenes. You’re on your way somewhere–riding the elevator, walking, or sitting on the train–listening to music. You don’t have much time so you listen closely and the music has an urgency about it. You notice details in the sounds, details you hadn’t noticed before. You’re sitting at an instrument, making music. You were… Continue reading
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Attention Through Invention And Intention: Notes On Aphex Twin
Recently I was listening to Aphex Twin (Richard D. James)’s music—tracks both older and more recent—and was struck by the ways the music held my attention. James is legendary, in part because of the consistent musicality and inventiveness of his work, and also because his assets as a producer are all-encompassing: his productions are both… Continue reading
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Resonant Thoughts: Benedicte Maurseth’s “To Be Nothing: Conversations With Knut Hamre, Hardanger Fiddle Master” (2019)
“Ah, but what is inspiration, exactly? Is it something that comes to us spontaneously? Or is inspiration something that helps the flow of spontaneity? Or perhaps the only way of creating something spontaneous is by using the knowledge we gain from hard, methodical work? I would lean toward the latter. I have never understood people… Continue reading
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Sound Fishing
“Ideas are like fish. If you want to catch little fish, you can stay in the shallow water. But if you want to catch the big fish, you’ve got to go deeper. Down deep, the fish are more powerful and more pure.They’re huge and abstract. And they’re very beautiful.” David Lynch, Catching The Big Fish… Continue reading
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Resonant Thoughts: Richard Evans’ “Listening To The Music The Machines Make” (2022) and Dan Leroy’s “Dancing To The Drum Machine” (2022)
“I thought electronic music was the next logical step. A synth was no longer an elitist instrument, and that was an important point. You didn’t have to be a musician; if you had good ideas, you could make music out of electronics.” – Daniel Miller in Listening To The Music The Machines Make “I want… Continue reading
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