-
Database: Lorenzo Senni On Build-ups
“It was just one of the first experiments of how the people could react to […] this like 45, 50 minutes of build-ups taken from trance tracks just looped very precisely that sounds like it’s coming, but it’s always the same loop. After a while you realize that the filter is not opening, the delay… Continue reading
-
Templates, No Template
A workflow adjustment I’ve made in recent months is using a DAW template with most of the instruments I like working with. Prior to doing this, I would begin a piece with a piano sound. I still often begin with piano, but the problem with beginning with only a single (and familiar) sound, I realized,… Continue reading
-
Database: Grischa Lichtenberger On Steps Of Enhancement
“I very rarely go back or delete. I add one eq after the other and each one of them is like a step of correction or enhancement of the previous one. Of course it is maybe the worst thing you could do, but it makes the sound more yours, or better: it crystallizes what your… Continue reading
-
The Analytical-Intuitive Fader
“The musician, like the writer or speaker, regularly confronts his conduct as performance or not.” David Sudnow, Talk’s Body (1979) On one of my favorite VST synthesizers there’s a volume mix fader that allows one to move between the sounds of two oscillators (Osc). The control is delightfully simple: when the fader is all the way up,… Continue reading
brettworks 