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Database: Robin Guthrie On Using Effects Pedals To Create One’s Own Sound
“I found with a couple of the right pedals I could go anywhere and sound like me, which has more to do with limited playing skills and the chords that I make than anything else. It evolved from my frustration with being a really fucking mediocre guitar player when I was learning to play. A… Continue reading
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Resonant Thoughts: David Deutsch’s “The Beginning of Infinity: Explanations That Transform the World” (2011)
“…in reality the future is unlike the past, the unseen very different from the seen. Science often predicts – and brings about – phenomena spectacularly different from anything that has been experienced before” (6). “Discovering a new explanation is inherently an act of creativity” (7). “We never know any data before interpreting it through theories.… Continue reading
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Principles of Electronic Music Production
Summary Over ten chapters richly illustrated with the practices and ideas of innovative musicians past and present, across a range of styles, Principles of Electronic Music Production is a companion book to The Creative Electronic Music Producer that looks at the producer as an omnimusical figure―a composer-performer-engineer who improvises, designs sounds, programs MIDI, sculpts audio,… Continue reading
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Database: Steve Hauschildt On Starting From A Harmonic Point
“Most of the time, the bedrock of a track is created through chord structures, so I’m starting from a harmonic point rather than a sequence or arpeggio. Once I have that harmonic foundation, I’ll use some sort of aleatoric randomisation or program a sequence or arpeggio into the sequencer.” Steve Hauschildt Continue reading
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