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brettworks

thinking through music


  • January 28, 2026

    Resonant Thoughts: James Wood’s “Serious Noticing: Selected Essays, 1997–2019” (2020)

    “…his essay ‘Music Discomposed’, the philosopher Stanley Cavell says that the critic’s first gesture is: ‘You have to hear it.’ Why, he asks, do you have to hear it? Because, he says, with a deliberate risk of tautology, ‘if I don’t hear it, I don’t know it’, and works of art are ‘objects of the… Continue reading

    criticism, inspiration, Resonant Thoughts
    reviews
  • January 27, 2026

    Curating The Week: Tinkering And Marginal Gains In Sport, The Ephemerality Of Music Consumption

    • An article about tinkering in sport. “‘Probably you’re going to see another change,” [Carlos Alcaraz] said. ‘I don’t know if next month or at the end of the year. I just make constant changes in every shot.’” “The sport’s most gifted player may also be its greatest tinkerer, as clips from his practices on… Continue reading

    Curating The Week
    music
  • January 26, 2026

    (Jup-8000, no. 2)

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    (parenthetical posts), accidental epistemologies, Uncategorized
  • January 23, 2026

    Brett’s Book Picks: Stewart Brand’s “Maintenance of Everything” (2026) and C. Thi Nguyen’s “The Score” (2026)

    Stewart Brand, Maintenance of Everything C. Thi Nguyen, The Score Continue reading

    Brett’s Book Picks
  • January 22, 2026

    Change One Thing

    Paul Klee, Ancient Sound (1925) “The key about a process is that it has time in it.” – Nassim Taleb, Fooled By Randomness When I’m writing new music I sometimes preserve one thing from a previous project, but change it slightly. Let’s say I’ve just finished a work for solo keyboard. Usually what happens is… Continue reading

    musical mottos
    music, technology, writing
  • January 21, 2026

    Art About Music: Georges de la Tour’s “The Hurdy-Gurdy Player” (c. 1620-1625)

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    art about music
  • January 20, 2026

    (14 January)

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    atelier
  • January 19, 2026

    Curating The Week: The Act Of Making, A Music Production Manifesto, Attention

    “The act of making something is so good, so good.” • A manifesto on electronic music production. “Technology answers to technique. Every device and piece of gear has secrets that can be unveiled with the right technique.” “After more than thirty years of making music with computers, we still do not know the DAW and… Continue reading

    Curating The Week
    books, mindfulness, writing
  • January 16, 2026

    Database: Dave Stewart On Stereo Picture, Frequency Differences, And Demos

    “A lot of [“Sweet Dreams Are Made Of This”] was trying to create as much space as possible so that Annie’s voice sounded crystal clear, pure, and not drowned out. But making sure the backing track still sounded incredibly powerful. A lot of that has to do with literally not having anything in the stereo… Continue reading

    database
  • January 15, 2026

    Brett’s Sound Picks: Musicentrydelete’s “Depth” (2025)

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    Brett’s Sound Picks
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • No. 1
  • Curating The Week: Playing Mandolin, Sound Design, AI in Writing, AI’s Impact On Artists, Nature and Attention
  • Techniques: Juxtaposition
  • Brett’s Sound Picks: Colleen’s “Aguas abiertas” (2026)
  • Resonant Thoughts: Riccardo Falcinelli’s “Chromorama: How Colour Has Changed Our Way of Seeing” (2025)

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