• about
    • ai in music resources
    • archives
    • art about music
    • atelier
    • books
    • brett’s sound picks
    • database (a cache of perceptions)
    • film
    • interview
    • keywords
    • music
    • thought tools
    • ventrilo-dialogues

brettworks

thinking through music


  • June 20, 2022

    Trio

    Continue reading

    Uncategorized
  • June 17, 2022

    On Musical Transitions

    “Transition is the very heart of inspiration and creativity” writes the inventor Ernő Rubik, in his autobiography, Cubed (2020). Rubik is, of course, the inventor of Rubik’s Cube, my favorite toy back in the day. I could solve the Cube fairly quickly when I was a kid, although I had to read a book about… Continue reading

    transition
  • June 16, 2022

    Resonant Thoughts: Samuel Arbesman On Signposts

    “The kind of signposts I’m thinking about are often little more than short phrases—or even single word neologisms—that, due to what ideas they have compressed within them, reorient how you see specific spheres of experience. These are ‘catchy’ concepts that often combine two or more words in unexpected ways, creating a mental hook for a… Continue reading

    Resonant Thoughts
  • June 15, 2022

    Brett’s Sound Picks: Steve Reich’s “Reich/Richter: Cross fades” (2022)

    (2022 Playlist) Continue reading

    Brett’s Sound Picks
  • June 14, 2022

    Ponder

    (from Cadences II) Continue reading

    voice, who cares if you listen?
  • June 13, 2022

    Art About Music: “Saxophonist Playing Along To ‘Careless Whisper’ Each Night” (2022)

    Continue reading

    art about music
  • June 10, 2022

    Slow Turn

    Continue reading

    Uncategorized
  • June 6, 2022

    Cadences II

    Listen on Spotify and Apple Music Continue reading

    Uncategorized
  • June 5, 2022

    Resonant Thoughts: Harold Budd On New Age Music

    “Well I’ll tell you very frankly that this whole ‘new age’ business is very distasteful to me. I don’t like being even considered in that category and I have almost no respect for it at all. To me it’s a kind of arrogant philosophical point of view where music has a metaphysical or biological function.… Continue reading

    Resonant Thoughts
  • June 3, 2022

    Dub 166 bpm

    Continue reading

    sketch
«Previous Page Next Page»

Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Resonant Thoughts: John Ashbery’s “A Wave” (1984)
  • Art About Music: Google’s Lyria 3 (2026)
  • Studio Observations: Listening To Improvisation
  • Database: Shane Parish on Revoicing and the Game Of Subtraction
  • Jup-8000, No. 1

Subscribe To Brettworks


©

brettworks

2022, All Rights Reserved.

Blog at WordPress.com.

  • Subscribe Subscribed
    • brettworks
    • Join 776 other subscribers
    • Already have a WordPress.com account? Log in now.
    • brettworks
    • Subscribe Subscribed
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar