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brettworks

thinking through music


  • October 22, 2021

    On Tempo

    Tempo—or bpm: beats per minute–is music’s invisible engine. As listeners and makers we focus on the music’s rhythms, and if it has one, its beat. We hear the syncopations and steady-pulse timelines. We hear the time (typically) divided up among low and high pitched instruments like kick drums, snares, and hi hats. And specific rhythms—four-on-the-floor… Continue reading

    Uncategorized
  • October 21, 2021

    Art About Music: Andrew LaMar Hopkins’ “Edmond Dédé Piano Recital” (2019)

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    Uncategorized
  • October 20, 2021

    Brett’s Sound Picks: Skee Mask’s “Nvivo” (2021)

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    Uncategorized
  • October 19, 2021

    Resonant Thoughts: Tim Harford On Slow Creativity

    Continue reading

    Creativity, slownesss
  • October 18, 2021

    Dub 19

    Continue reading

    sketch
  • October 15, 2021

    Art About Music: Johannes Vermeer’s “The Guitar Player” (c. 1672)

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    art about music
  • October 14, 2021

    L’Ocelle Mare’s “Piano, Banjo, Orgue, Metronome…” (2021)

    (2021 Playlist.) Continue reading

    Brett’s Sound Picks
  • October 13, 2021

    Music Production Steps

    Creating new music involves many steps, not all of which necessarily involve playing notes, notating them, or recording them. For me, a workflow often involves six steps. Depending on the day, I’ll work on one or two of these steps, but almost never all of them. Each step is a different spoke in the compositional… Continue reading

    music production, workflow
  • October 12, 2021

    Minimals

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    minimals
  • October 8, 2021

    Piano Last October

    Continue reading

    piano music
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Unquantized (Remodel)
  • Curating The Week: The Brand Age, Selling Out, Sync Music
  • Resonant Thoughts: John Ashbery’s “A Wave” (1984)
  • Art About Music: Google’s Lyria 3 (2026)
  • Studio Observations: Listening To Improvisation

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