In my current work of performing music, perhaps the most useful “secret” for maintaining a high standard of playing is my ability to reset. In my life outside of music, there are very few occasions in need of resetting—at home, there’s pressing the small button on the kitchen thermometer, or unplugging the cable modem now and then so it can find the signal. The resetting I do at the show is similar to this, but a tad more involved. In a nutshell, when I reset I pretend—suspend disbelief—that this show is the first show. Even though I have memories of thousands of previous shows, this show is the first and last of its kind, and so worth paying close attention to. Paying close attention makes it more interesting because it makes it a game of noticing details. Phenomenologists might describe my stance using the term bracketing—a way of setting off the here and now of immediate experience from everything else that might be beckoning for my attention. To reset is to re-consider the details of this performance one more time without past experience getting in the way. To reset is to be a (trained) beginner (again).
I had this thought about reset just as I was picking up some mallets and standing there, waiting to play. I thought about how for the audience this was their first time at the performance and their first time encountering my sounds (somewhere in the overall mix of sounds and sights clamoring for their attention). I thought about how extraneous, non-musical claptrap that had gradually infiltrated my consciousness over the years—tiny stories about the music, gossip via and about fellow musicians, workplace politics (oh the drama!)—is of zero use in the moment of performance. Zero. I thought about how powerful it feels to have a “higher” gear I can kick into to silence that cognitive noise by resetting, over and over again. In that moment I don’t measure my experience by the number of shows I have already played (in the thousands, in any case), or by the lessons I have stowed away (few, in any case) that I can recycle and reapply. The cleanest way to (re)encounter the moment is to let go of my assumptions about it and attend to its unfolding, just like this, in this way, right now. When you keep things empty, they remain fresh and full of potential. And then the music started and I began to play.