“The performer necessarily comes at the music from within…Most often the performance situation catapults a musician into a rare and unusual condition, one that reveals the basic features of experience with eloquent directness, free, at least to some extent, from the usual overlay of cultural and philosophical presuppositions that nearly always obstruct our awareness. What is this perceptual condition like?”
– Arnold Berleant, “Notes For A Phenomenology Of Musical Performance”,
Philosophy of Music Education Review, Vol. 7, No. 2 (Fall, 1999), p. 75.