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brettworks

thinking through music


  • December 19, 2019

    Musical Logics

    Musical logic is reasoning by other means— not knowing the key but feeling the mode not counting beats but feeling the pulse not planning the form but keeping it open not according to plan but making it up on your way. Music is the pleasure the human mind experiences from counting without being aware that… Continue reading

    poetry, Uncategorized
  • December 18, 2019

    Brett’s Sound Picks: Steve Hauschildt’s “The Nature Remaining” (2019)

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    Brett’s Sound Picks, Uncategorized
  • December 17, 2019

    Art About Music: Peter Doig’s “Music Of The Future” (2003-2007)

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    art about music, Uncategorized
  • December 16, 2019

    On Minimalism and Maximalism

    When I’m working on music I alternate a lot between what I call minimalism and maximalism. In addition to its meaning from avant grade music (as the repetition of short phrases that gradually change to create a hypnotic effect), minimalism for me means working with a single sound and finding much of interest in that.… Continue reading

    minimalism and maximalism, Uncategorized
  • December 13, 2019

    Curating The Week: DeepComposer, Vija Celmins, Peripheral Vision

    • Amazon’s AWS DeepComposer demonstration. The video is worth watching, if only to hear how abysmal the music is. • An article on the art of Vija Celmins (someone who has inspired me to work in layers). “Up close, you see that every swell, curl, and cranny has been given its individual due. There are… Continue reading

    Curating The Week, Uncategorized
  • December 12, 2019

    Notes On YouTube’s Low-fi Hip Hop Radio

    Have you seen chilledcow’s YouTube channel, “Low-fi hip hop radio – beats to relax/study to”? The channel is a looped anime-style animation of a young woman sitting at a desk in her apartment, taking notes and studying, occasionally looking out the window onto a nondescript (mediterranean?) cityscape. On the wall behind her is a bookcase,… Continue reading

    chillout music, Uncategorized
  • December 11, 2019

    Brett’s Sound Picks: ISAN’s “From A Hundred” (2019)

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    Brett’s Sound Picks, Uncategorized
  • December 10, 2019

    Annals Of Listening: Lackluster’s “Container” (2000)

    A few years after I moved to New York I was shopping for electronic music at Kim’s Music and Video in the East Village. Kim’s had these little listening stations set up where you could put on headphones and preview CDs of new music. I put on some phones and listened to an album by… Continue reading

    listening, Uncategorized
  • December 9, 2019

    On Micro-Adjustments And The Game Of Amounts

    Electronic music production, said the producer Mr. Bill in one of his YouTube tutorials, is a game of amounts. It’s true. Bill was referring to the thousands of micro-adjustments one makes in the course of designing sounds, recording parts, arranging, and mixing a track of music. The process is simple but involved and very drawn… Continue reading

    music production, Uncategorized
  • December 5, 2019

    Losing Objectivity

    I had worked on the track for a year, which was far longer than I had ever worked on a ten-minute piece of music. In my defense, things take time: it had taken time to decide on sounds, time to get going and wonder where I was going, time to record chord progressions, beats, and… Continue reading

    composing, listening, music production, Uncategorized
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Brett’s Sound Picks: Laura Cannell’s “The Water Had Carried Her” (2026)
  • Curating The Week: AI and Human Touch, AI and Writing, AI and Taste
  • Marimbafied 35
  • Pianola
  • Tuning

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