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brettworks

thinking through music


  • September 16, 2019

    EQ Reveries

    I was listening to a part of a piece solo while EQing it. I had the sound’s waveform displayed in the EQ so I could see where its primary frequencies were happening and not happening, and my goal was to accentuate these frequencies and reduce (shelve) the less important ones at the margins. The part… Continue reading

    EQ, Uncategorized
  • September 13, 2019

    Good Bit Listening

    One shouldn’t listen this way but I race through music letting the first track play all the way through then skipping along the others  FF>> FF>>FF>> impatient doubtful a skeptic looking for the good bits hoping for the good bits the parts that slow me down stop me in my tracks  music >> pauses >>… Continue reading

    listening, poetry, Uncategorized
  • September 12, 2019

    Resonant Thoughts: Leonard Koren’s “What Artists Do” (2018)

    “If you really want to separate your work from everyone else’s, every time you come to a Y in the road, don’t think about which way to go; automatically take the toughest route. Everybody else is taking the easiest one.” – Richard Serra in Leonard Koren’s What Artists Do (2018)   Continue reading

    Resonant Thoughts, Uncategorized
  • September 11, 2019

    Brett’s Sound Picks: 36’s “Find You” (2019)

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    Brett’s Sound Picks
  • September 10, 2019

    Art About Music: Domenico Fetti’s “Portrait of a Man with a Sheet of Music” (c. 1620)

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    art about music, Uncategorized
  • September 9, 2019

    On Performance In Electronic Music Production

    When you imagine a musician or band really killing it onstage, you hold in mind the traditional notion of musical performance as musicians’ real-time striving to accomplish a goal in the moment. This could be improvising a solo, playing a composed piece from memory, or rendering a classic song one more time. Part of why… Continue reading

    music performance, Uncategorized
  • September 6, 2019

    Impossible Mix

    The subway dancer guys are performing  with a bass speaker  playing big beats   but I’m already listening  to my own sound on headphones   so I fiddle  with the volume  just so their beat  mixes with my bass line  and now I don’t ignore them  because our different musics  are getting along.  Continue reading

    poetry, Uncategorized
  • September 5, 2019

    Resonant Thoughts: Richard Serra’s “Verb List” (1967)

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    Resonant Thoughts, Uncategorized
  • September 4, 2019

    Brett’s Sound Picks: Bana Haffar’s “Genera III” (2019)

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    Brett’s Sound Picks, Uncategorized
  • September 3, 2019

    Art About Music: Jan Steen’s “A Young Woman playing a Harpsichord to a Young Man” (1659)

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    art about music, Uncategorized
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Brett’s Sound Picks: Laura Cannell’s “The Water Had Carried Her” (2026)
  • Curating The Week: AI and Human Touch, AI and Writing, AI and Taste
  • Marimbafied 35
  • Pianola
  • Tuning

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