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brettworks

thinking through music


  • September 2, 2019

    Musical Distortions

    distort – to pull or twist out of shape, change the form of;  from the Latin distorquere (‘apart’ + ‘to twist)  Among the many interesting and unanticipated discoveries made while producing electronic music is hitting upon distortions that cause sounds to behave in unusual ways. The most common type of distortion is overdriving or saturating… Continue reading

    distortion, Uncategorized
  • August 30, 2019

    Resonant Thoughts: Calvin Tomkins’ “Vija Celmins’s Surface Matters” (2019)

    “You do it again and again, and you sense that the thing is beginning to have a form that looks strong. And all the time you’re thinking, and making decisions. The making, the devotion to making, is what gives it an emotional quality.” – Vija Clemins  • “What makes her images so alive is the… Continue reading

    Resonant Thoughts, Uncategorized
  • August 29, 2019

    Five Benefits Of Writing Regularly

    You no longer feel you have nothing to say, because evidence points to your saying things all the time. You become less attached to whether particular ideas are “good” and more into the process that generates ideas in general. You see ideas as small and specific things rather than large and vague things, and more… Continue reading

    Uncategorized, writing process
  • August 28, 2019

    Brett’s Sound Picks: Leo Svirsky’s “River Without Banks” (2019)

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    Brett’s Sound Picks, Uncategorized
  • August 27, 2019

    Art About Music: Pieter de Hooch’s “Musical Party In A Courtyard” (1677)

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    art about music, Uncategorized
  • August 26, 2019

    On Musical Transitions

    I’ve been thinking about transitions—that is, how the music gets from one place to another. One of the pros of DAW music software that is simultaneously a con is that in your arrangement page view you can juxtapose a bunch of discrete sections of music and have them seamlessly play in sequence as if that… Continue reading

    musical transitions, Uncategorized
  • August 23, 2019

    Arrows Of Attention: A Pattern Language For Electronic Music Production

    Arpeggiate  Automate  Breakdown  Browse  Compress  Copy And Paste  Delay and Echo  EQ  Extend  Fade In / Fade Out  Filter Sweep  Fractalize  Harmonize   Humanize   Interrupt  Juxtapose   Layer   Loop  Mix  Mute   Pan  Pedal Note  Quantize   Randomize  Recombine  Reduce   Remix   Repeat  Resample  Re-Tune  Reverb  Reverse  Route   Stretch  Subdivide  Syncopate  Texturize   Transform  Continue reading

    arrows of attention, Uncategorized
  • August 22, 2019

    Resonant Thoughts: James Williams’ “Stand Out Of Our Light” (2018)

      “What do you pay when you pay attention? You pay with all the things you could have attended to, but didn’t, all the goals you didn’t pursue, all the actions you didn’t take, and all the possible yous you could have been, had you attended to those other things. Attention is paid in possible… Continue reading

    Resonant Thoughts, Uncategorized
  • August 21, 2019

    Brett’s Sound Picks: Mr. Bill’s “Apophenia” (2018)

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    Brett’s Sound Picks, Uncategorized
  • August 20, 2019

    Art About Music: Niccolo Renieri’s “Musical Society” (17th century)

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    art about music, Uncategorized
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

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