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brettworks

thinking through music


  • June 27, 2019

    Rain Music

    The rain falling outside the window makes a full spectum sound from highs to mids to lows polyphony’s million tiny transients gentle envelopes over rhythmic water drone and now thunder bass this 3D mix is just like music. Continue reading

    poetry, Uncategorized
  • June 26, 2019

    Brett’ Sound Picks: Synkro & Arovane’s “Transmission” (2019)

      Listen to Brett’s Sound Picks 2019. Continue reading

    Brett’s Sound Picks, Uncategorized
  • June 25, 2019

    Art About Music: Frans Floris’s “Family Portrait” (1561)

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    art about music, Uncategorized
  • June 24, 2019

    Notes On Finding Real Musical Beginnings

    It was bothering me how so many of the pieces simply began with a marimba part theme—which really wasn’t a theme, but rather a place where, many months ago, I happened to have begun the music. The marimba themes were placeholders, not real beginnings, and it was bothering me that the pieces began without real… Continue reading

    music production, musical beginnings, Uncategorized
  • June 20, 2019

    Flowing Through Music’s Forward Flows

    1 Electronic music production is about forward flows. Forward flows means that the musical place where you began is never where you’ll end up. Forwards flows means that whatever you do to the music will cause it to spin headlong into the unknown, away from what it was towards what it might become. The music… Continue reading

    poetry, Uncategorized
  • June 19, 2019

    Brett’s Sound Picks: Burial’s “State Forest” (2019)

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    Brett’s Sound Picks, Uncategorized
  • June 18, 2019

    Art About Music: Gerard Ter Borch’s “The Music Lesson” (c. 1668)

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    art about music, Uncategorized
  • June 17, 2019

    Notes On Resampling

    If creativity is an iterative feedback loop one applies on one’s own actions so that they flow back into themselves in an endless cascade, then the production technique of resampling is a perfect example of how this works. Resampling is the practice of re-recording what you already to have to make something new from it.… Continue reading

    resampling, Uncategorized
  • June 13, 2019

    Resonant Thoughts: Mary Oliver’s “Upstream” (2016)

    “Writing is neither vibrant life nor docile artifact but a text that would put all its money on the hope of suggestion.”  “Attention is the beginning of devotion.” – Mary Oliver, Upstream (2016) Continue reading

    Resonant Thoughts, Uncategorized
  • June 12, 2019

    Brett’s Sound Picks: Celer’s “Rains Lit By Neon” (2019)

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    Brett’s Sound Picks, Uncategorized
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Database: Mark Clifford On Squeezing The Life Out Of Equipment
  • Drumming Diaries: Energies of Performance
  • Brett’s Sound Picks: øjeRum’s “I (2026 remaster)”
  • In The Works: 28 April
  • Resonant Thoughts: John Berger’s “Permanent Red: Essays in Seeing” (1960/2025)

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