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brettworks

thinking through music


  • July 11, 2019

    The Music Speaks Up

    The music keeps reminding you that you don’t know it well enough, that you’re not paying attention to what it needs. You’re not listening. You’re hearing what you hope I should be,  rather than what I am. The music is tight but not right, filled out but not filled in, descriptive but not imaginative. Listen… Continue reading

    poetry, Uncategorized
  • July 10, 2019

    Brett’s Sound Picks: Leafcutter John’s “This Way Out” (2019)

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    Brett’s Sound Picks, Uncategorized
  • July 9, 2019

    Art About Music: Frans Floris’s “Allegory of Music” (1570)

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    art about music, Uncategorized
  • July 8, 2019

    On Being Musically Authentic

    authentic — of undisputed origin; genuine; real; bonafide; legit Every artist aspires to be authentic to how he or she thinks of themselves to be. In an ideal world, we would only make the music/art/literature/sculpture that we want to pursue, whether that’s because it expresses us, it expresses a concept important to us, seems compelling… Continue reading

    authenticity, Uncategorized
  • July 5, 2019

    Friday Freestyle: A Miscellany Of Ten Things I’m Thinking About

    This week I introduce Friday Freestyle: A Miscellany Of Ten Things I’m Thinking About. It’s a new post format in which I share ideas and questions without developing them further into blog posts. It may become a regular thing, or this may be the first and last installment! I really don’t know. • What are… Continue reading

    Uncategorized
  • July 4, 2019

    On Musical Knowing

    We have a recurring sense that we don’t know much about music. A sense that we tried to learn a lot, but came up short. A sense that we can’t commit to one musical thing. But we know some musical things, a knowing that lives in experience, which includes the musics we’ve heard and the… Continue reading

    musical hands, musicianship, poetry, Uncategorized
  • July 3, 2019

    Brett’s Sound Picks: Kali Malone’s “Lintanic Cloth Wrung” (2019)

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    Brett’s Sound Picks, Uncategorized
  • July 2, 2019

    Art About Music: Everald Brown’s “Niabinghi Hour” (1969)

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    art about music, Uncategorized
  • July 1, 2019

    Notes On Anti-Automated Music

    “The higher the creativity component of a profession, the more likely it is to have disconnected inputs and outputs.” – Naval Ravikant No one, especially me, wants to listen to automated music—music, acoustic or electronic, that’s on auto-pilot, that just unfolds without responding to its environment or to the subtleties of its own exigencies. (I… Continue reading

    feel, music production, Uncategorized
  • June 27, 2019

    Rain Music

    The rain falling outside the window makes a full spectum sound from highs to mids to lows polyphony’s million tiny transients gentle envelopes over rhythmic water drone and now thunder bass this 3D mix is just like music. Continue reading

    poetry, Uncategorized
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Drumming Diaries: Energies of Performance
  • Brett’s Sound Picks: øjeRum’s “I (2026 remaster)”
  • In The Works: 28 April
  • Resonant Thoughts: John Berger’s “Permanent Red: Essays in Seeing” (1960/2025)
  • Stolen Moments Are Open-Ended

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