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brettworks

thinking through music


  • April 18, 2019

    Nine Books About Creativity

    Ferran Adria. A Day at elBulli: an insight into the ideas, methods and creativity of Ferran Adria  Ed Catmull Creativity, Inc. Marcus du Sautoy The Creativity Code: Art and Innovation in the Age of AI Ken Kacienda Creative Selection Kyna Leski The Storm of Creativity David Lynch Catching The Big Fish: meditation, consciousness, and creativity… Continue reading

    Creativity, Uncategorized
  • April 17, 2019

    Brett’s Sound Picks: Visible Cloaks, Yoshio Ojima & Satsuki Shibano’s “You” (2019)

    Continue reading

    Brett’s Sound Picks
  • April 16, 2019

    Dirck Hals’s “Music-Making Company On A Terrace” (c. 1620-1625)

    Continue reading

    art about music, Uncategorized
  • April 15, 2019

    Production Moves: Merging Sounds And Processes Through Tiny Cumulative Changes

    Much of my music production time is spent making tiny changes, often because I can’t figure what more significant thing I need to do.  So I go small.  Here’s the scene: the piece is just okay, and progress on it is just okay, and the finished thing may too be destined to be just okay.… Continue reading

    Electronic music, music editing, music production, Uncategorized
  • April 12, 2019

    Walking Music

    Music is a scent you catch walking down the street corn over coals: a BBQ a cottage a dock on a lake jumping into dark water long past summer memories triggered from smoke in the air. Continue reading

    musical memory, poetry, Uncategorized
  • April 11, 2019

    Resonant Thoughts: Roy Christopher’s “Dead Precedents” (2019)

    “Underneath that odd veneer of mainstream schizophrenia, subgenres were splitting and dividing like brain-tumor cells. Enabled by recording and sampling technologies that eroded any semblance of cultural cohesion, forecasts of the future and pieces of the past were mixing into an unrecognizable new era.” – Roy Christopher, Dead Precedents, p. 18 (2019) Continue reading

    hip hop, Resonant Thoughts, sampling, Uncategorized
  • April 10, 2019

    Brett’s Sound Picks: Deaf Center’s “Yet To Come” (2019)

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    Brett’s Sound Picks, Uncategorized
  • April 9, 2019

    Art About Music: Utagawa Kunisada’s “Sankyoku Music by Fashionable Girls’ (c. 1844-1845)

        Continue reading

    art about music, Uncategorized
  • April 8, 2019

    Notes On Programming Rhythms 

      As I teach myself how to program rhythms that I enjoy listening to, I’ve learned some lessons that might interest the musicians among my readers. Lesson One: the most efficient way to program a rhythm is to play it. You can play it all at once, as I do, one part at a time,… Continue reading

    beat programming, beats, rhythm, rhythm programming, Uncategorized
  • April 5, 2019

    Curating The Week: Forgetting, Karl Ove Knausgaard, Stoicism

    • An article on forgetting. “Forgetting is a dynamic ability, crucial to memory retrieval, mental stability and maintaining one’s sense of identity. That’s because remembering is a dynamic process. At a biochemical level, memories are not pulled from the shelf like stored videos but pieced together — reconstructed — by the brain.” • A review of… Continue reading

    Curating The Week, Uncategorized
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Brett’s Sound Picks: Laura Cannell’s “The Water Had Carried Her” (2026)
  • Curating The Week: AI and Human Touch, AI and Writing, AI and Taste
  • Marimbafied 35
  • Pianola
  • Tuning

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