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brettworks

thinking through music


  • February 9, 2018

    Ventrilo-Dialogue: A Conversation With brettworks

    Thomas: I get to interview you—finally! Why didn’t we think of this sooner? brettworks: I don’t know, but I was right here the whole time! Thomas: So let’s dive in. Readers are curious: What’s the point of your blog and what, if any, are your plans are for it? brettworks: The point of the blog… Continue reading

    Uncategorized, ventrilo-dialogue
  • February 8, 2018

    One Photo, One Beat (2018)

    Continue reading

    documentaries, graffiti, one photo, one beat, Uncategorized
  • February 7, 2018

    Brett’s Sound Picks: Kit Downes’ “Kings”

    (This organ music is mobile, regal, and torsioned, like a state of being you’ll aspire to. Does it sound like Olivier Messiaen filtered through Steve Reich—contemplation meeting sped up thoughts, chords refracted in rhythms—showing the travels of musical influence, from them to him to us?)   Continue reading

    Brett’s Sound Picks, Uncategorized
  • February 6, 2018

    Searches That Brought You Here: LEGO, Victor Wooten, Stewie Griffin

    • LEGO nothing commercial. This search brought you to my post on the music used in a Lego commercial. I wrote: “The music also conjures feeling through that piano sound. For a long time now, the piano has been the ultimate symbol of the middle-class home and of having the financial means, time, and space… Continue reading

    searches that brought you here, Uncategorized
  • February 5, 2018

    One Good Idea, Then Bail

    “I’m taking my time, as if I had all the time in the world. I do have all the time in the world.” – John Berger, Bento’s Sketchbook (2011) For a while now—maybe a year? two years?—I’ve been thinking about what I call One Good Idea, Then Bail. In brief, the concept describes a process… Continue reading

    Uncategorized
  • February 2, 2018

    Curating The Week: Synchrony, Writing/Walking, Field Recording

    • A very short film showing starlings flying in synchrony. • An article on writing, walking, and freedom. “There was only the track, or the idea of it. The way forward was often unclear, the trail ambiguous and sometimes impossible to see. Like writing, it was infuriating and freeing, terrifying, and absolutely necessary to me.”… Continue reading

    Curating The Week, Uncategorized
  • February 1, 2018

    Brett’s Sound Picks: Leadcutter John’s “Resurrection”

    (Beginnings can grab you, middles might compel, but sometimes you listen to seven minutes and forty-six seconds of music to arrive at its beguiling final three.) Continue reading

    Brett’s Sound Picks, Uncategorized
  • January 31, 2018

    Art About Music: Akai MPC60 (1988)

      Continue reading

    art about music, Uncategorized
  • January 30, 2018

    Resonant Thoughts: On John Cage’s “Diary: How to Improve the World (You Will Only Make Matters Worse) 

    “Refuse value judgments” (21). “all technology must move toward way things were before man began changing them: identification with nature in her manner of operation, complete mystery” (25). “Proposal: take facts of art seriously” (32). “There’s a temptation to do nothing simply because there’s so much to do that one doesn’t know where to begin.… Continue reading

    Uncategorized
  • January 29, 2018

    Musical Mind Reading

    It’s hard to know what the musicians you’re playing with are thinking. Consider what you have to go on. First and foremost you have the sounds they make. Though some try, musicians can’t ever hide behind their sounds because their sounds reveal them—they give voice to their sound-producing capabilities and limits. Presumably, a musician’s sounds… Continue reading

    Uncategorized
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Art About Music: “When Is That Young Man Going Home?” (1931)
  • Curating The Week: Freedom, Exceptionalism, Finishing
  • Curating The Archive: Of Slow Voices (5.2.2022)
  • Database: Laura Cannell On The Mechanics Of Acoustic Instruments, Improvising, And Simple Motifs
  • Omni 128 bpm

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