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brettworks

thinking through music


  • August 27, 2018

    Music Production Mindsets: Letting Something Help You Decide

    When I first began dabbling in electronic music production around 2000 or so, I had a big Yamaha synthesizer hooked up to my computer. The keyboard had its own built-in sound presets, and I managed to configure its various MIDI channels to the DAW software (Logic) so I could select a different sound for each… Continue reading

    music production, Uncategorized
  • August 24, 2018

    Wind Music

    Occasionally this time of year, when the evenings are warm and breezy and I’m walking the dog down a quiet neighborhood street late at night, I notice the sound of wind in the trees and stop to look and listen. If you look up, you see the wind’s twisting upwards path upon the oscillating tree… Continue reading

    nature music, soundscapes, Uncategorized
  • August 23, 2018

    Resonant Thoughts: David Sumpter’s “Outnumbered” (2018)

    “Spotify’s genre system places all songs as a point in 13 dimensions, grouping together those close-by points as genres. The dimensions include objective musical properties such as ‘loudness’ and ‘beats per minute’, as well as more subjective emotional properties, such as ‘energy’, ‘valance’ (sadness) and ‘danceability’. These latter, subjective measurements are established through listening sessions,… Continue reading

    Resonant Thoughts, Spotify, Uncategorized
  • August 22, 2018

    Brett’s Sound Picks: Autechre’s “32a_reflected”

    (In “32a_reflected” tones hover, suspended, frequencies piercing at high altitudes, a swarm and hum drone growing into an almost tonal form that keeps resolving without identifiable chords. The tones feel like an ending but we don’t know when that ending will happen. The end will be without cadence, without melody, yet an idea can coalesce—a… Continue reading

    Brett’s Sound Picks, Uncategorized
  • August 21, 2018

    Art About Music: Heitor dos Prazeres’ “Roda de Samba (Samba Circle)” (1957)

    Continue reading

    art about music, Uncategorized
  • August 20, 2018

    Music Production Mindsets: Building Upon The Faintest Traces

    Beginning a new piece of music is the most exciting moment, as long you don’t get ahead of yourself, get bogged down in as yet unnecessary details, and instead stay focused on the task at hand. But what is this task, exactly? For me, it’s being on the lookout for something enchanting. The other day… Continue reading

    music production, Uncategorized
  • August 17, 2018

    Resonant Thoughts: Eric Hayot’s “The Elements Of Academic Style” (2014)

    “Writing is not the memorialization of ideas. Writing distillate, crafts, and pressure-tests ideas—it creates ideas…They emerge from a process, they represent their becoming, and that emergence, in their final form. Writing is therefore a kind of learning. Active writing should not involve saying things you already understand and know, but instead let you think new… Continue reading

    Resonant Thoughts, Uncategorized
  • August 16, 2018

    Iterations

    Foxes and dogs. The quick beats the lazy. Jumping over the fence. The jumping fox, the lazy dog. The fence and the dog beat laziness, quickly. Brown dogs, lazy foxes, jumping quick over the fence. The quick brown dog-fox jumps lazily. Quick—the lazy fox-dog jumps! The quick brown fox lazily jumps over the dog. The… Continue reading

    pangrams, poetry, Uncategorized
  • August 15, 2018

    Brett’s Sound Picks: Marisa Anderson’s “Pulse” (2018)

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    guitar, Uncategorized
  • August 14, 2018

    Art About Music: “Ragini Todi” (c. 1785 – 1790)

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    art about music, Uncategorized
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

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