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brettworks

thinking through music


  • August 13, 2018

    Managing Emotions and Swinging Freely In Creative Work

    I watch a fair amount of sports on TV, for reasons including ambient sound, commentators’ endless stats commentary, and because the outcome is always uncertain. (Sport competition gets interesting when it doesn’t go according to plan, which is the best narrative.) For these reasons, even with all the commercials in need of skipping through, sports… Continue reading

    creative strategies, sports analogies, Uncategorized
  • August 10, 2018

    Tech Life

    A head count— ten people around me all glued to their screens bodies here minds far way their tech spliting person from the personal less talking one on one without a phone a Recommend a Like a Retweet an LOL (no one laughs like that) social media lacks connection because there’s no algorithm for relating. Continue reading

    Uncategorized
  • August 9, 2018

    Resonant Thoughts: Paul Fournel’s “Need For The Bike” (2003)

    “To create a desire for something one needs to engage in a labor of human happiness. Need is a demanding and obscure thing that defines the dependence of one person on another. To identify it and want it is to define oneself as a person. That’s the secret of culture, the secret of cuisine, the… Continue reading

    Resonant Thoughts, Uncategorized
  • August 8, 2018

    Brett’s Sound Picks: Masayoshi Fujita’s “Harp” (2018)

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    Brett’s Sound Picks, percussion, Uncategorized
  • August 7, 2018

    Art About Music: Gerrit Dou’s “Young Lady Playing The Clavichord” (c. 1665)

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    art about music, Uncategorized
  • August 6, 2018

    Music Production Mindsets: Using Ableton’s Capture

    When I’m browsing and trying out synthesized sounds, wishing that I were doing something else (this happens about 30 seconds into the process—it is what it is), I inevitably end up playing a few chords or a scrap of melody to hear how they sound. I don’t consider this real music because I’m just throwing… Continue reading

    music production, Uncategorized
  • August 3, 2018

    Second Hand Clock

    The second hand of the clock at the dry cleaners is racing I notice it as she’s charging my card just over ten dollars the minimum fee most second hands go tick-tick even if the ticking is a silent measure you see its discrete steps a mechanical resistance against forward motion but this hand is liquid a Dali-esque melting… Continue reading

    poetry, time, timelines, Uncategorized
  • August 2, 2018

    Arrows Of Attention: Variations On Oblique Strategies

      Take yourself out of the mix. Make it sound exquisite. Hide the production’s effects. Make it felt, but not quite audible. Derive everything from a single source. Get to know how the parameter can modulate the overall mood. Picture someone using this or the music being useful to them. Does it still work when… Continue reading

    arrows of attention, Uncategorized
  • August 1, 2018

    Brett’s Sound Picks: Laurel Halo’s “Nahbarkeit” (2018)

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    Brett’s Sound Picks, Uncategorized
  • July 31, 2018

    Art About Music: Gonzales Coques’s “The Five Senses, Hearing” (c. 1650)

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    art about music, Uncategorized
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Database: Clark on Zero Expectations and the Actual Idea
  • Fine-Tuning
  • Suspiramus
  • Database: Burial on the Impression of the Drums
  • My Favorite Things: Running Gear

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