Skip to content
    • about
    • ai in music resources
    • archives
    • art about music
    • atelier
    • books
    • brett’s sound picks
    • database (a cache of perceptions)
    • film
    • interview
    • keywords
    • music
    • thought tools
    • ventrilo-dialogues

brettworks

thinking through music


  • July 26, 2018

    Resonant Thoughts: Tim Krabbé’s “The Rider” (1978)

    “On a bike your consciousness is small. The harder you work, the smaller it gets. Every thought that arises is immediately and utterly true, every unexpected event is something you’d known all along but had only forgotten for a moment. A pounding riff from a song, a bit of long division that starts over and… Continue reading

    Resonant Thoughts, Uncategorized
  • July 24, 2018

    Art About Music: Jose Malhoa’s “O Fado” (1910)

    Continue reading

    art about music, Uncategorized
  • July 23, 2018

    Notes On Notated Versus Produced Music

    A percussionist recently got in touch to ask if he could buy a copy of one of my percussion scores, Zoom (1994) for some chamber performances this summer. (You can listen to me playing the music here, and my remix of it here.) I told him I’d check if I had a hard copy in… Continue reading

    music notation, music production, Uncategorized
  • July 20, 2018

    Music Lessons 2

    Music is like an organism a delicate constellation of interrelated parts each of which needs to work perfectly to maintain the spell like a living thing robust when moving well flexible and even-tempered like a biology in sound one beat ahead of its own extinction. Continue reading

    poetry, Uncategorized
  • July 19, 2018

    Resonant Thoughts: Philip Brophy’s “100 Modern Soundtracks” (2004)

    “The ‘nature of sound’…is not a/any/all sound’s essential or absolute guise (as such divination is impossible) but its irreducible behavior, distinctive apparition and ingrained purpose. It eschews any essence as to what it might be—as if it is a metaphor pointing to some sonic soul that has motivated the act of description—and instead accepts its… Continue reading

    Resonant Thoughts, Uncategorized
  • July 17, 2018

    Art About Music: Kerry James Marshall’s “Past Times” (1997)

    Continue reading

    art about music, Uncategorized
  • July 16, 2018

    Different Types Of Musicians

    Once in a while I imagine different general musician types, among which I include myself. Here are six types:   The underplayer. The underplayer doesn’t play “out” or deliberately enough. He’s often fairly recently out of school (a college music program), has his playing together and knows the notes, but there’s something missing. Maybe his… Continue reading

    musician types, Uncategorized
  • July 13, 2018

    Optimal Conditions

    Much of doing is waiting for the right time to do anything but especially the music morning’s too early evening too late the afternoon can work if properly configured meaning I need to adjust myself to its parameters freeze thinking become its vibration so I wait procrastinate sweep and clean arrange everything just so the moment… Continue reading

    music theory, poetry, Uncategorized
  • July 12, 2018

    Resonant Thoughts: Jacques Attali’s “Noise” (1977)

    “In music, the instrument often predates the expression it authorizes…it contributes, through the possibilities it offers, to the birth of a new music, a renewed syntax.” -Jacques Attali, Noise, p. 35. Continue reading

    musical instruments, Uncategorized
  • July 11, 2018

    Brett’s Sound Picks: Abul Mogard’s “Quiet Dreams” (2018)

    Continue reading

    Brett’s Sound Picks, Uncategorized
«Previous Page Next Page»

Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Musical Ideas
  • 2 September
  • Curating the Week: Juggling, Music Teachers, Writing, Tacit Knowledge in Research
  • 8000 Studies
  • 7 August

Subscribe To Brettworks


©

brettworks

2022, All Rights Reserved.

Blog at WordPress.com.

Loading Comments...

You must be logged in to post a comment.

  • Subscribe Subscribed
    • brettworks
    • Join 762 other subscribers
    • Already have a WordPress.com account? Log in now.
    • brettworks
    • Subscribe Subscribed
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar