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brettworks

thinking through music


  • September 10, 2018

    On Passionate Transcription

    Before I had a mobile phone I could write with, I always carried around those little subscription cards that come with (and fall out of) The New Yorker and Harper’s magazine. I used them to take notes on what I was reading, and scribble down ideas for pieces, poems, groceries, and whatever else. I always… Continue reading

    transcription
  • September 7, 2018

    Writing About Music

    Write about what is happening in the music in real-time. Write about what the music reminds you of. Write about how the music relates to other similar and dissimilar musics. Write about what the music signifies. Write about how the music was made. Write about historical precedents for the music. Write about the music as… Continue reading

    Uncategorized, writing about music
  • September 6, 2018

    Resonant Thoughts: Dieter Rams’ “10 Principles Of Good Design” (1970s)

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    Resonant Thoughts, Uncategorized
  • September 5, 2018

    Brett’s Sound Picks: N Chambers’ “Itinerant Pattern” (2018)

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    Brett’s Sound Picks, Uncategorized
  • September 4, 2018

    Art About Music: Yeh Chi Wei’s “Drummer” (1970-1979)

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    art about music, Uncategorized
  • September 3, 2018

    Musical Decision-Making Under Conditions Of Opacity and Serendipity

    I begin composing by improvising, and there are three elements that make up this process: opacity, decision-making, and serendipity. First, some definitions: something that is opaque lacks transparency; decision-making is reaching a resolution after consideration; and serendipity is the occurrence of events by chance in a beneficial way.  These ideas capture the flow of the… Continue reading

    creative strategies, musical decision-making, Uncategorized, working knowledge
  • August 31, 2018

    Heavy Metal Tee

    The lady walks the dog wearing a Metallica shirt a fact once noticed complicates my assumptions about what I thought I knew –is the shirt ironic or fan fashion?– because the music you like says so much about what it feels to be you. Continue reading

    musical taste, poetry, Uncategorized
  • August 30, 2018

    Resonant Thoughts: Ole Thorstensen’s “Making Things Right” (2015)

    “That the idea or conception of something is adjudged superior to its concrete implementation is a natural consequence of a society in which theory has become increasingly important. The execution is dirty and imprecise, while the idea is pure and unsullied. Theory is always flawless, until you try to apply it in practice and get… Continue reading

    Resonant Thoughts, Uncategorized
  • August 29, 2018

    Brett’s Sound Picks: Ólafur Arnalds’ “They Sink” (2018)

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    Brett’s Sound Picks, Uncategorized
  • August 28, 2018

    Art About Music: Leonaert Bramer’s “Allegory of Vanity (Vanitas)” (1630/1650)

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    art about music, Uncategorized
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Database: Clark on Zero Expectations and the Actual Idea
  • Fine-Tuning
  • Suspiramus
  • Database: Burial on the Impression of the Drums
  • My Favorite Things: Running Gear

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