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thinking through music


  • January 26, 2018

    Curating The Week: Music and Food, Brian Eno, Failed Artists

    • A brief video on a composer’s music and the intersection of music and food. • Brian Eno’s lecture “The Recording Studio As Compositional Tool”: • A critic discusses his life as a failed artist. “My work had something of the timeless beauty of older geometries and hermetic diagrams and illustration. The colors were pretty.… Continue reading

    Curating The Week, Uncategorized
  • January 25, 2018

    From The Archives: Paul Morley’s “Words And Music”

    (In these posts I resurrect older brettworks blog posts because their subject matter continues to compel me.) Notes On Paul Morley’s “Words and Music” Continue reading

    from the archives, Uncategorized
  • January 24, 2018

    Devotional Music

    At 74th street station the Hare Krishna guys are making a din with harmonium cymbals voices and drums playing loose fitting rhythms to offer a question— Is music devotion or plain interruption? Continue reading

    poetry, Uncategorized
  • January 23, 2018

    Listening Over And From Afar

    “Hearing is like being touched and moved from a distance.” – David Burrows, Time and the Warm Body, p. 89. I’ve been trying out new ways of listening while performing, trying to get beyond the sounds of my percussion instruments and get closer to the other sounds around and beyond me. When I do this,… Continue reading

    listening, performance notes, Uncategorized
  • January 22, 2018

    Resonant Thoughts: James Dyson On Creativity

    Here is British inventor/engineer James Dyson, known for his innovative vacuum cleaner design: “People think of creativity as a mystical process. The idea is that creative insights emerge from the ether, through pure contemplation. This model conceives of innovation as something that happens to people, normally geniuses. But this could not be more wrong. Creativity… Continue reading

    Creativity, Uncategorized
  • January 19, 2018

    Resonant Thoughts: Unlearning And Disciplined Dissidence In Andy Merrifield’s “The Amateur” (2017)

    “I consider myself as deschooled: I learned how to unlearn, and continue to follow the twisted path of ‘disciplined dissidence.’”* (*“Disciplined dissidence” is a phrase of Ivan Illich, who speaks of it in his Deschooling Society as a quality “which cannot be measured against any rod, or any curriculum, nor compared to someone else’s achievements”… Continue reading

    Resonant Thoughts, Uncategorized
  • January 18, 2018

    Art About Music: John Cage’s “Sonatas and Interludes” (1946-1948)

    (Preparations chart for prepared piano.)   Continue reading

    art about music, Uncategorized
  • January 17, 2018

    Practicing 

    Consider yourself and everyone around you as consummate practicers refining ways of being, honing their speaking tones and counterpoint gestures, assuming the sound and the movement of who and what they want to be we’re practicing all the time, practicing the patterns of what we can’t yet play. Continue reading

    poetry, practicing, Uncategorized
  • January 16, 2018

    Resonant Thoughts: On Simon Critchley’s “What We Think About When We Think About Soccer” (2017)

    On phenomenology: Phenomenology is the attempt “to get close, as close as possible, to the grain, texture, and existential matrix of experience as it is given, and to allow words to echo that experience in a way that might allow us to see it in a new light, under a changed aspect” (17). On rhythm:… Continue reading

    phenomenology, rhythm, Uncategorized
  • January 15, 2018

    Art About Music: Yamaha’s DX7 (1983)

    Continue reading

    art about music, Uncategorized
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Art About Music: “When Is That Young Man Going Home?” (1931)
  • Curating The Week: Freedom, Exceptionalism, Finishing
  • Curating The Archive: Of Slow Voices (5.2.2022)
  • Database: Laura Cannell On The Mechanics Of Acoustic Instruments, Improvising, And Simple Motifs
  • Omni 128 bpm

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