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brettworks

thinking through music


  • January 12, 2018

    A Forest Xylophone Plays Bach

    This is a charming video, but it also illustrates some deeper ideas: • Composition. It shows how a piece of music can be rendered on an unusual instrument and remain recognizable. • Instrument. It shows how a musical instrument can be fashioned out of descending wooden steps and a falling ball. • Agency. It shows… Continue reading

    musical instruments, Uncategorized
  • January 11, 2018

    Searches That Brought You Here

    • What is the frequency spectrum of a hip hop kick. This search brought you to my 2012 post on bass frequency-heavy Beats By Dre headphones. What I wrote still seems to apply to why people wear them: “How to explain the popularity of the Beats? One explanation is that our bass-heavy musics–hip hop and… Continue reading

    affect, bass materialism, searches that brought you here, Uncategorized, voice
  • January 10, 2018

    Digs Disguised As Compliments: An Overheard Musician Joke

    (The show is over and the musicians are packing up. One turns to another to “compliment” him.) “That was really something else!” Continue reading

    music and humor, Uncategorized
  • January 9, 2018

    Freestyle: Sampling A Thought

    Put an idea into the Grid sampler to hear what happens: Happens….Happens…Happens…Happens… It’s a two-part sound, a high tone followed by a lower one: ha—ppens. The ha sustains a pitch, while the ppens falls off after the plosive with a slight downward pitch bend. Isolate the ha and assign it to a pad. Drum it:… Continue reading

    freestyle, grid thinking, sampling, Uncategorized
  • January 8, 2018

    Details At The End

    Starting a piece of music is easy enough: you count it off (one, two, three, four!), or the conductor gives the cue, or you simply dive head first into the sound waters. It’s exciting because here you are—again (!)—and also, you’re not entirely sure how it’s going to go, which is what makes performing always… Continue reading

    performance, Uncategorized
  • January 5, 2018

    Quietudes

    Listen on Spotify, Apple Music, and CD Baby. Continue reading

    shameless plugs, sunsets, Uncategorized
    steadfast belief, vague awareness
  • January 4, 2018

    On Making Beautiful Things

    ‘We make beautiful things’ he thinks, thinking about it means to be a musical maker. ‘The point is not to think but to arrest thinking’ as he fiddles with a sound on a string. ‘Beauty is ever-open to reconfiguration’ the idea accompanying a plucked note. ‘Beauty thrives on analogies’ while listening to the pattern, connecting… Continue reading

    Uncategorized
  • January 3, 2018

    Resonant Thoughts: Agnes Martin On Living By Perception

    Agnes Martin, Friendship (1963) “You see, if you live by perception, as all artists must, then you sometimes have to wait for a long time for your mind to tell you the next step to take.” (“‘What We Make, Is What We Feel’: Agnes Martin on Her Meditative Practice, in 1976” available at artnews) Continue reading

    artists, perception, Resonant Thoughts, Uncategorized
  • January 2, 2018

    Brett’s Sound Picks: Paulstretching A-Ha’s “Take On Me”

    (Paulstretch is software that slows down music to a fraction of its original speed, turning a pop song into a glacial soundscape.) Continue reading

    Brett’s Sound Picks, musical time stretching, Uncategorized
  • January 1, 2018

    Resonant Thoughts: Ray Dalio On Radical Transparency

      “Radical open-mindedness and radical transparency are invaluable for rapid learning and effective change. Learning is the product of a continuous real-time feedback loop in which we make decisions, see their outcomes, and improve our understanding of reality as a result. Being radically open-minded enhances the efficiency of those feedback loops, because it makes what… Continue reading

    radical transparency, Resonant Thoughts, Uncategorized
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Art About Music: “When Is That Young Man Going Home?” (1931)
  • Curating The Week: Freedom, Exceptionalism, Finishing
  • Curating The Archive: Of Slow Voices (5.2.2022)
  • Database: Laura Cannell On The Mechanics Of Acoustic Instruments, Improvising, And Simple Motifs
  • Omni 128 bpm

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