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brettworks

thinking through music


  • August 28, 2023

    Keywords: Dub

    Dub is the echo traces of a sound that just happened, a response following its call, extending the traces as they float on rhythm trajectories. Sound engineers in Jamaica (King Tubby, Lee Perry) were the first to hear dub’s potential, building gear to harness it, hearing the negative space opened up when you mute one… Continue reading

    groovology, keywords
  • August 25, 2023

    Drone Etude

    Spotify and Apple Music Continue reading

    drone
  • August 24, 2023

    Keywords: Alive At Many Levels At Once

    Making music alive on many levels at once is the point of both producing music and a necessary tool for suspending the listener’a disbelief in music’s fiction. Music alive on many levels at once hinges on presence, variation, interaction, responsiveness, suggestion, hidden depths, and arranging multiple elements to function as a whole in easy synergy.… Continue reading

    keywords
  • August 23, 2023

    Brett’s Sound Picks: Sarah Davachi’s “Alms Vert” (2023)

    2023 playlist Continue reading

    Brett’s Sound Picks
  • August 21, 2023

    Tuned 9

    Continue reading

    bells
  • August 17, 2023

    Three Views: Chasing The Same Clouds On A Run (2023)

    Continue reading

    running, three views
  • August 15, 2023

    Steadiness

    Continue reading

    steadiness
  • August 14, 2023

    Keywords: And Then…

    And Then… is a technique of stepwise progression, a way of moving from, and building upon, where you are to where you’ll be next. It requires only what you currently have to get going—a sound, a few chords, a tempo. This is flaneur music production—wandering by ear towards the interesting sounds, moving in a direction… Continue reading

    keywords
  • August 10, 2023

    Brett’s Sound Picks: Barker’s “Birmingham Screwdriver” (2023)

    2023 Continue reading

    Brett’s Sound Picks
  • August 9, 2023

    Resonant Thoughts: Matthew Frederick’s “101 Things I Learned in Architecture School” (2007)

    “To create a dynamic, balanced composition in either 2D or 3D, make a strong initial design decision that is dynamic and unbalanced; then follow it with a secondary dynamic move that counterpoints the first move. Think of a counterpoint as a sort of aesthetic rebuttal: it is similar to but not quite the same as… Continue reading

    Resonant Thoughts
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Studio Observations: Listening To Improvisation
  • Database: Shane Parish on Revoicing and the Game Of Subtraction
  • Jup-8000, No. 1
  • Curating The Week: Blogging, Music and Truth-Telling, Memory
  • Resonant Thoughts: Daniel Poppick’s “The Copywriter” (2026)

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