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brettworks

thinking through music


  • September 27, 2023

    Database: Sam Gellaitry On Mastering Backwards

    “This is how I master everything: I have this [FL limiter] Maximus on the reverb..But there’s this preset I’ve made over the years that just compresses the low, mid, and the high–I’ve got that up really high. To mixers and engineers: they’ll probably look at that and get disgusted. Because this is like rural behavior:… Continue reading

    database
  • September 26, 2023

    Keywords: A Longer Time Horizon

    A Longer Time Horizon is a mindset, an approach to expanding music’s frame from short repeating bits to long non-repeating lines, where four-bar loops becomes forty-bar sequences, chords stretch beyond obvious counting, melodies evade easy whistling. A Longer Time Horizon keeps the producer’s ear on production’s vast vistas, sounds free of clichés and conventions, tracks… Continue reading

    keywords, time horizons
  • September 25, 2023

    C.A. Sept

    Continue reading

    Uncategorized
  • September 21, 2023

    Keywords: Ambience

    Ambience is bonus resonance, a reverb that softens sound’s blow. To add ambience is to place a sound in a space whose dimensions and materials color how we hear. Tones now dissolve at their edges, like candle wax around the flame. Quick sounds get hang time, long sounds linger, beginnings and ends become one. Ambience… Continue reading

    keywords
  • September 20, 2023

    Brett’s Sound Picks: KMRU’s “Matching Teal Surfaces” (2023

    2023 playlist Continue reading

    Brett’s Sound Picks
  • September 19, 2023

    Database: KMRU On Sound Banks Of Stories

    “I use Ableton Push to arrange, structure and build upon the field recordings, layering them with new sounds to create different environments and soundscapes. Then I’ll use Ableton Live to sort out the recordings I did that day and make decisions on whether I need to edit, mix or cut sounds to create new recording… Continue reading

    database
  • September 18, 2023

    SEK 4

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    Uncategorized
  • September 15, 2023

    Undone

    Undone Continue reading

    Uncategorized
  • September 14, 2023

    Brett’s Sound Picks: Colleen’s “Night looping – Movement I” (2023)

    2023 playlist Continue reading

    Brett’s Sound Picks
  • September 13, 2023

    Running As Psychogeography

    Passing through a residential neighborhood in Queens about a mile and a half from where I live there’s a long road, 21st Avenue, with a series of hills that I look forward to running on most days. The road’s total length is maybe a mile and a half, but feels like an adventure to train… Continue reading

    running
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Opening (Remodel)
  • Gongscapes
  • Database: Annea Lockwood On Listening As Meditation
  • Opening
  • No. 1

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