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brettworks

thinking through music


  • October 11, 2023

    Database: Max Lauderbauer On The Overall Expression

    “…If I record something, I still do it very freely. I’m not into going too much into detail. For me, the overall expression is more important than little details.” Max Lauderbauer Over 200 entries in the database now. Continue reading

    database
  • October 10, 2023

    AC Dub 3

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    Uncategorized
  • October 9, 2023

    Where Do I Find My Sound?

    “I don’t believe in influenceunless it’s you, yourself following your own track.” Agnes Martin On Reddit, a young electronic music producer is looking for help, asking for advice about where to find his sound. “I do not know” he writes, “where to get the sounds that I hear in songs or how to create them.”… Continue reading

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  • October 6, 2023

    Brett’s Sound Picks: Moritz Von Oswald’s “Infinito (Version)” (2023)

    2023 Continue reading

    Brett’s Sound Picks
  • October 5, 2023

    Database: Mark Clifford On Finding Details In Things

    “And it just seemed like the more I did to them—the more I tried things with them—the more ideas seemed to come out of them. To me, that’s the really interesting part of making music. The mixing part and finishing tracks…that’s not the interesting part. It’s finding details in things: that’s what really interests me.… Continue reading

    database
  • October 4, 2023

    Resonant Thoughts: Nicholas Cook’s “Music: Why It Matters” (2023)

    “But what makes music perhaps uniquely effective as ideology is what might be called its double nature. On the one hand it is, obviously, a human artefact, something that people make and that calls on a range of culture specific social practices and technologies. But at the same time we experience music as if it… Continue reading

    Resonant Thoughts
  • October 3, 2023

    7 Part Dub

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  • October 2, 2023

    Music’s Lacunae

    In our understandings and explanations of musical practice it’s the missing things that are most important. Too often when I write I don’t write about but around these things—busily explaining that which is extrinsic, not intrinsic, to the mysteries that underlie making music. We ask: What are your influences? What’s your favorite gear? How do… Continue reading

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  • September 29, 2023

    Brett’s Sound Picks: James Blake’s “Playing Robots Into Heaven” (2023)

    2023 playlist Continue reading

    Brett’s Sound Picks
  • September 28, 2023

    Like A Sourdough Starter

    Serious bakers keep a jar of sourdough starter in their fridge at all times, feeding the live fermented culture (made of flour and water) daily so it’s ready to use in the next bread. The idea with a starter is to use a small portion of it to infuse the new dough to make it… Continue reading

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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Opening (Remodel)
  • Gongscapes
  • Database: Annea Lockwood On Listening As Meditation
  • Opening
  • No. 1

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