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brettworks

thinking through music


  • December 8, 2022

    Resonant Thoughts: Floating Points On Playing With Modulation

    “When I listen to musicians–when I see a cellist embodying a cello, I want to hear into their soul. I feel that’s fairly easy however good you are as a cellist, because you’re connected to that object. But with a synthesizer it’s a lot harder because you’re behind all these circuits. So I long for electronic… Continue reading

    Resonant Thoughts
  • December 7, 2022

    Brett’s Sound Picks: Sarah Davachi’s “Harmonies In Grey” (2022)

    2022 playlist Continue reading

    Brett’s Sound Picks
  • December 6, 2022

    FA 10 Piano

    Continue reading

    Uncategorized
  • December 5, 2022

    On Judgment And Tacit Knowledge

    If you follow music production discussions on Reddit you regularly see threads begun by musicians new to music production seeking advice. The musicians have just got set up with some equipment, have begun making tracks, and are noticing the gigantic gulf between the sound of their music and that of professionally-produced tracks. The most common… Continue reading

    tacit knowledge
  • December 2, 2022

    That Falls Never Stops Falling

    Listen on Spotify, Apple Music, Bandcamp Continue reading

    Uncategorized
  • December 1, 2022

    Resonant Thoughts: Keith Fullerton Whitman On Forcing Interactions

    “Sometimes it’s as simple as just pressing record and wandering around amidst the tools and instruments you’ve accumulated, forcing interactions until something clicks and the brain takes notice.” – Keith Fullerton Whitman Continue reading

    Resonant Thoughts
  • November 30, 2022

    Art About Music: Vilen Barsky’s “Drummer Solo” (1959)

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    art about music
  • November 29, 2022

    [Untitled]

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    Uncategorized
  • November 28, 2022

    Workflow Advice Developed, Not Given

    Be comfortable with solitary work, committing to aesthetic decisions (Is this sufficiently enchanting? Is it balanced just so?), and trusting your own counsel. Always work towards the next thing. The current piece may not be ideal, but take learnings from it into the next one. Use your work as a means to refine your default.… Continue reading

    Uncategorized
  • November 24, 2022

    Resonant Thoughts: Brian Eno On Attention

    “I’m addicted to the idea that you put yourself in a place and surrender to it. It’s about making space for a kind of attention that you’re not normally offered by entertainment media.” – Brian Eno MPD Continue reading

    Resonant Thoughts
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Art About Music: Google’s Lyria 3 (2026)
  • Studio Observations: Listening To Improvisation
  • Database: Shane Parish on Revoicing and the Game Of Subtraction
  • Jup-8000, No. 1
  • Curating The Week: Blogging, Music and Truth-Telling, Memory

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